The nature of prose narrative in Northern Sotho: from orality to literacy
The basic aim of this study is to investigate the nature of the narrative, concerning itself with the structures inherent in a system of signs which reveals the communicative function of literature. The general aim is to interpret the meaning of the narrative against the cultural background. The...
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ndltd-netd.ac.za-oai-union.ndltd.org-unisa-oai-uir.unisa.ac.za-10500-274322021-07-31T05:09:04Z The nature of prose narrative in Northern Sotho: from orality to literacy Makgamatha, P. M. (Phaka Moffat) Serudu, M. S. African Languages South African indigenous content African languages South African indigenous content 896.39771300923 Northern Sotho literature Northern Sotho literature -- Social aspects Oral tradition -- South Africa Narration (Rhetoric) Literature and society Narration (Rhetoric) -- Social aspects The basic aim of this study is to investigate the nature of the narrative, concerning itself with the structures inherent in a system of signs which reveals the communicative function of literature. The general aim is to interpret the meaning of the narrative against the cultural background. The study makes a synthesis of formalist and structuralist points of view on the relations between story and discourse. A comparison of the oral and written narratives reveals that the discourse of the latter displays more artistry than that of the former. An examjnation of the problems of theme selection and development in the Northern Sotho prose narrative, from the point of view of African literature, is made. This reveals that the South African censorship laws have caused the emergence of sophisticated writers with a highly developed artistic way of portraying the South African situation sensitively by making it speak for itself. The study also examines some aspects of character in the narrative, analyzing the actions of characters in the story rather than psychological essences about them, and showing how these characters help the reader to understand the narrator's moral vision of the world. A comparison of the narrative techniques in the oral and the written narrative shows that in the former, the narrator is limited by tradition to the actions and the events that can be seen or heard, while the narrator in the latter can even describe what his characters are thinking or feeling. The study finally examines the relationship between symbolism and culture in the Northern Sotho narrative to reveal the general African philosophy in which -life is perceived as a perpetual journey undertaken by the hero from the natural to the non-natural world, whence he returns to the original world after experiencing moral lassitude and frustration. In the conclusion it is observed that both the oral and the written narratives deal with the intricacies of life as series of patterns and developments. The functional nature of the traditional African aesthetics reflected in the narratives prescribes the study of their meaning against the African cultural background. African Languages D. Litt. et Phil. (African Languages) 2021-06-07T10:25:17Z 2021-06-07T10:25:17Z 1990-11 Thesis http://hdl.handle.net/10500/27432 en 1 online resource (viii, 278 leaves) application/pdf |
collection |
NDLTD |
language |
en |
format |
Others
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sources |
NDLTD |
topic |
African Languages South African indigenous content African languages South African indigenous content 896.39771300923 Northern Sotho literature Northern Sotho literature -- Social aspects Oral tradition -- South Africa Narration (Rhetoric) Literature and society Narration (Rhetoric) -- Social aspects |
spellingShingle |
African Languages South African indigenous content African languages South African indigenous content 896.39771300923 Northern Sotho literature Northern Sotho literature -- Social aspects Oral tradition -- South Africa Narration (Rhetoric) Literature and society Narration (Rhetoric) -- Social aspects Makgamatha, P. M. (Phaka Moffat) The nature of prose narrative in Northern Sotho: from orality to literacy |
description |
The basic aim of this study is to investigate the nature of the narrative, concerning
itself with the structures inherent in a system of signs which reveals the
communicative function of literature. The general aim is to interpret the meaning
of the narrative against the cultural background.
The study makes a synthesis of formalist and structuralist points of view on the
relations between story and discourse. A comparison of the oral and written
narratives reveals that the discourse of the latter displays more artistry than that of
the former.
An examjnation of the problems of theme selection and development in the
Northern Sotho prose narrative, from the point of view of African literature, is
made. This reveals that the South African censorship laws have caused the
emergence of sophisticated writers with a highly developed artistic way of
portraying the South African situation sensitively by making it speak for itself.
The study also examines some aspects of character in the narrative, analyzing the
actions of characters in the story rather than psychological essences about them,
and showing how these characters help the reader to understand the narrator's
moral vision of the world.
A comparison of the narrative techniques in the oral and the written narrative
shows that in the former, the narrator is limited by tradition to the actions and the
events that can be seen or heard, while the narrator in the latter can even describe
what his characters are thinking or feeling. The study finally examines the relationship between symbolism and culture in the
Northern Sotho narrative to reveal the general African philosophy in which -life is
perceived as a perpetual journey undertaken by the hero from the natural to the
non-natural world, whence he returns to the original world after experiencing moral
lassitude and frustration.
In the conclusion it is observed that both the oral and the written narratives deal
with the intricacies of life as series of patterns and developments. The functional
nature of the traditional African aesthetics reflected in the narratives prescribes the
study of their meaning against the African cultural background. === African Languages === D. Litt. et Phil. (African Languages) |
author2 |
Serudu, M. S. |
author_facet |
Serudu, M. S. Makgamatha, P. M. (Phaka Moffat) |
author |
Makgamatha, P. M. (Phaka Moffat) |
author_sort |
Makgamatha, P. M. (Phaka Moffat) |
title |
The nature of prose narrative in Northern Sotho: from orality to literacy |
title_short |
The nature of prose narrative in Northern Sotho: from orality to literacy |
title_full |
The nature of prose narrative in Northern Sotho: from orality to literacy |
title_fullStr |
The nature of prose narrative in Northern Sotho: from orality to literacy |
title_full_unstemmed |
The nature of prose narrative in Northern Sotho: from orality to literacy |
title_sort |
nature of prose narrative in northern sotho: from orality to literacy |
publishDate |
2021 |
url |
http://hdl.handle.net/10500/27432 |
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