Pelléas et Mélisande as symbolist opera

Includes abstract. === Includes bibliographical references (leaves 145-150). === Claude Debussy (1862-1918) has more often than not been labelled an Impressionist, implying that his music parallels the art of the Impressionist painters; this is because in his work musical colour takes precedence ove...

Full description

Bibliographic Details
Main Author: Spies, Maria Margaretha
Other Authors: May, James
Format: Dissertation
Language:English
Published: University of Cape Town 2014
Subjects:
Online Access:http://hdl.handle.net/11427/8250
Description
Summary:Includes abstract. === Includes bibliographical references (leaves 145-150). === Claude Debussy (1862-1918) has more often than not been labelled an Impressionist, implying that his music parallels the art of the Impressionist painters; this is because in his work musical colour takes precedence over form and design (Jarocinski, 1976: 11). However, it has been documented that Pelléas et Mélisande is considered to be the masterpiece of French Symbolism (Lesure, 2001). This is the only opera that Debussy completed during his lifetime, and in it he succeeded in combining words and music in a way he could realise his musical ideals.