Towards performing an afropolitan subjectivity
Includes abstract. === Includes bibliographical references (p. 32-34). === Emerging directly from three devised performances conducted as practical research projects in the exploration of my thesis, the production supported by this explication titled Afrocartography: Traces of Places and all points...
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Online Access: | http://hdl.handle.net/11427/8160 |
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-81602020-12-06T05:10:41Z Towards performing an afropolitan subjectivity Kabwe, Mwenya Banning, Yvonne Pather, Jay Theatre and Performance Includes abstract. Includes bibliographical references (p. 32-34). Emerging directly from three devised performances conducted as practical research projects in the exploration of my thesis, the production supported by this explication titled Afrocartography: Traces of Places and all points in between, (Afrocartography) is located within a series of works that explore an Afropolitan subject position. Towards the goal of articulating a theatrical form, style and aesthetic of this so called Afropolitan experience, the first section of this paper serves to locate the term Afropolitan within a personal contextual frame from which the paper progresses. 2014-10-06T11:34:27Z 2014-10-06T11:34:27Z 2008 Master Thesis Masters MA http://hdl.handle.net/11427/8160 eng application/pdf University of Cape Town Faculty of Humanities Department of Drama |
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NDLTD |
language |
English |
format |
Dissertation |
sources |
NDLTD |
topic |
Theatre and Performance |
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Theatre and Performance Kabwe, Mwenya Towards performing an afropolitan subjectivity |
description |
Includes abstract. === Includes bibliographical references (p. 32-34). === Emerging directly from three devised performances conducted as practical research projects in the exploration of my thesis, the production supported by this explication titled Afrocartography: Traces of Places and all points in between, (Afrocartography) is located within a series of works that explore an Afropolitan subject position. Towards the goal of articulating a theatrical form, style and aesthetic of this so called Afropolitan experience, the first section of this paper serves to locate the term Afropolitan within a personal contextual frame from which the paper progresses. |
author2 |
Banning, Yvonne |
author_facet |
Banning, Yvonne Kabwe, Mwenya |
author |
Kabwe, Mwenya |
author_sort |
Kabwe, Mwenya |
title |
Towards performing an afropolitan subjectivity |
title_short |
Towards performing an afropolitan subjectivity |
title_full |
Towards performing an afropolitan subjectivity |
title_fullStr |
Towards performing an afropolitan subjectivity |
title_full_unstemmed |
Towards performing an afropolitan subjectivity |
title_sort |
towards performing an afropolitan subjectivity |
publisher |
University of Cape Town |
publishDate |
2014 |
url |
http://hdl.handle.net/11427/8160 |
work_keys_str_mv |
AT kabwemwenya towardsperforminganafropolitansubjectivity |
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1719368520666447872 |