Playing with/in history

Bibliography: leaves 52-58. === The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research oc...

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Main Author: Taub, Myer
Other Authors: Fleishman, Mark
Format: Dissertation
Language:English
Published: University of Cape Town 2014
Subjects:
Online Access:http://hdl.handle.net/11427/7984
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-79842020-10-06T05:11:40Z Playing with/in history Taub, Myer Fleishman, Mark Theatre and Performance Bibliography: leaves 52-58. The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research occurred. One was a critical investigation into the work and writings of visual artists, historians, critics, writers and playwrights who all recognize the area of fragmentation in their specific field. The other was through writing and directing a play with UCT drama students called Lekker Faith (2003). This particular play opened at The Arena Theatre, Orange St, Cape Town on the 1 November 2003. The play joins two earlier plays The Hottentot Venus and the wonder of things unknown (Little Theatre, Cape Town, 2002) and Fourplay (Rehearsal Room, Monument Theatre, Grahamstown, 2003) to form part of an anthology of plays, called The Paris/Cape Town/Joburg Plays. 2014-10-02T13:20:07Z 2014-10-02T13:20:07Z 2004 Master Thesis Masters MA http://hdl.handle.net/11427/7984 eng application/pdf University of Cape Town Faculty of Humanities Department of Drama
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Theatre and Performance
spellingShingle Theatre and Performance
Taub, Myer
Playing with/in history
description Bibliography: leaves 52-58. === The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research occurred. One was a critical investigation into the work and writings of visual artists, historians, critics, writers and playwrights who all recognize the area of fragmentation in their specific field. The other was through writing and directing a play with UCT drama students called Lekker Faith (2003). This particular play opened at The Arena Theatre, Orange St, Cape Town on the 1 November 2003. The play joins two earlier plays The Hottentot Venus and the wonder of things unknown (Little Theatre, Cape Town, 2002) and Fourplay (Rehearsal Room, Monument Theatre, Grahamstown, 2003) to form part of an anthology of plays, called The Paris/Cape Town/Joburg Plays.
author2 Fleishman, Mark
author_facet Fleishman, Mark
Taub, Myer
author Taub, Myer
author_sort Taub, Myer
title Playing with/in history
title_short Playing with/in history
title_full Playing with/in history
title_fullStr Playing with/in history
title_full_unstemmed Playing with/in history
title_sort playing with/in history
publisher University of Cape Town
publishDate 2014
url http://hdl.handle.net/11427/7984
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