Playing with/in history
Bibliography: leaves 52-58. === The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research oc...
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-79842020-10-06T05:11:40Z Playing with/in history Taub, Myer Fleishman, Mark Theatre and Performance Bibliography: leaves 52-58. The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research occurred. One was a critical investigation into the work and writings of visual artists, historians, critics, writers and playwrights who all recognize the area of fragmentation in their specific field. The other was through writing and directing a play with UCT drama students called Lekker Faith (2003). This particular play opened at The Arena Theatre, Orange St, Cape Town on the 1 November 2003. The play joins two earlier plays The Hottentot Venus and the wonder of things unknown (Little Theatre, Cape Town, 2002) and Fourplay (Rehearsal Room, Monument Theatre, Grahamstown, 2003) to form part of an anthology of plays, called The Paris/Cape Town/Joburg Plays. 2014-10-02T13:20:07Z 2014-10-02T13:20:07Z 2004 Master Thesis Masters MA http://hdl.handle.net/11427/7984 eng application/pdf University of Cape Town Faculty of Humanities Department of Drama |
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Theatre and Performance |
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Theatre and Performance Taub, Myer Playing with/in history |
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Bibliography: leaves 52-58. === The area of research for this written explication is defining a relationship between fragment and the assemblage of fragment in order to conceive new strategies for developing historical dramatic narrative. There were two significant methods with which the research occurred. One was a critical investigation into the work and writings of visual artists, historians, critics, writers and playwrights who all recognize the area of fragmentation in their specific field. The other was through writing and directing a play with UCT drama students called Lekker Faith (2003). This particular play opened at The Arena Theatre, Orange St, Cape Town on the 1 November 2003. The play joins two earlier plays The Hottentot Venus and the wonder of things unknown (Little Theatre, Cape Town, 2002) and Fourplay (Rehearsal Room, Monument Theatre, Grahamstown, 2003) to form part of an anthology of plays, called The Paris/Cape Town/Joburg Plays. |
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Fleishman, Mark |
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Fleishman, Mark Taub, Myer |
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Taub, Myer |
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Taub, Myer |
title |
Playing with/in history |
title_short |
Playing with/in history |
title_full |
Playing with/in history |
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Playing with/in history |
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Playing with/in history |
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playing with/in history |
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University of Cape Town |
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2014 |
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http://hdl.handle.net/11427/7984 |
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