Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek

The rapid post-Independence development of the city of Windhoek, Namibia; and the ensuing destruction of a substantial number of German colonial buildings in the capital city, prompted speculation as to why these buildings are inadequately protected as heritage – and whether they are, in fact, consi...

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Bibliographic Details
Main Author: Ruhlig, Vanessa Jane
Other Authors: Townsend, Stephen
Format: Others
Language:en
Published: University of Cape Town 2019
Subjects:
Online Access:http://hdl.handle.net/11427/30196
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-301962020-12-10T05:11:01Z Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek Ruhlig, Vanessa Jane Townsend, Stephen Colonial Architecture Post-Colonial Values Heritage Significance Historical buildings Survey Namibia The rapid post-Independence development of the city of Windhoek, Namibia; and the ensuing destruction of a substantial number of German colonial buildings in the capital city, prompted speculation as to why these buildings are inadequately protected as heritage – and whether they are, in fact, considered to be heritage. The study explores the issues pertaining to the presence of German colonial architecture, as artefacts of the German colonial period, within the postcolonial context of Windhoek. The trauma and pain of the Namibian War and genocide (1904 – 1908) are recurring themes in the body of literature on postcolonial Namibia; and this informs a wider discourse on memory. Memory is found to play a crucial role in evoking a sense of both individual and shared ownership, through its capacity to create meaning, which can in turn ascribe value to a place. Memory is also dependent on visual cues for its continued existence, which suggests the importance of colonial architecture as a material prompt to sustain memory. The research therefore investigates the memories and multiple meanings attributable to colonial architecture in this plural society, and how these meanings can be created, or possibly reinvented, through the continued use of these buildings. The study is based on an assessment of three halls in Windhoek – the Grüner Kranz Hall (1906), the Kaiserkrone Hall (1909), and the Turnhalle (1909; 1912), all designed by the German architect Otto Busch – which illustrates in part, the need for the development of historical building surveys that assess the social values and significances of these contested spaces; and moreover, the potential that these spaces have to support memory work through their continued use. 2019-06-05T07:07:37Z 2019-06-05T07:07:37Z 2018 Thesis MPhil http://hdl.handle.net/11427/30196 en application/pdf University of Cape Town Faculty of Engineering and the Built Environment Conservation of the Built Environment
collection NDLTD
language en
format Others
sources NDLTD
topic Colonial Architecture
Post-Colonial Values
Heritage Significance
Historical buildings Survey
Namibia
spellingShingle Colonial Architecture
Post-Colonial Values
Heritage Significance
Historical buildings Survey
Namibia
Ruhlig, Vanessa Jane
Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
description The rapid post-Independence development of the city of Windhoek, Namibia; and the ensuing destruction of a substantial number of German colonial buildings in the capital city, prompted speculation as to why these buildings are inadequately protected as heritage – and whether they are, in fact, considered to be heritage. The study explores the issues pertaining to the presence of German colonial architecture, as artefacts of the German colonial period, within the postcolonial context of Windhoek. The trauma and pain of the Namibian War and genocide (1904 – 1908) are recurring themes in the body of literature on postcolonial Namibia; and this informs a wider discourse on memory. Memory is found to play a crucial role in evoking a sense of both individual and shared ownership, through its capacity to create meaning, which can in turn ascribe value to a place. Memory is also dependent on visual cues for its continued existence, which suggests the importance of colonial architecture as a material prompt to sustain memory. The research therefore investigates the memories and multiple meanings attributable to colonial architecture in this plural society, and how these meanings can be created, or possibly reinvented, through the continued use of these buildings. The study is based on an assessment of three halls in Windhoek – the Grüner Kranz Hall (1906), the Kaiserkrone Hall (1909), and the Turnhalle (1909; 1912), all designed by the German architect Otto Busch – which illustrates in part, the need for the development of historical building surveys that assess the social values and significances of these contested spaces; and moreover, the potential that these spaces have to support memory work through their continued use.
author2 Townsend, Stephen
author_facet Townsend, Stephen
Ruhlig, Vanessa Jane
author Ruhlig, Vanessa Jane
author_sort Ruhlig, Vanessa Jane
title Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
title_short Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
title_full Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
title_fullStr Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
title_full_unstemmed Colonial architecture as heritage: German colonial architecture in post-colonial Windhoek
title_sort colonial architecture as heritage: german colonial architecture in post-colonial windhoek
publisher University of Cape Town
publishDate 2019
url http://hdl.handle.net/11427/30196
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