| Summary: | Includes bibliographical references. === The aim of this thesis is to propose a multi-layered and interdisciplinary understanding of space by focussing on the courtyard gardens of the Alhambra. By presenting a theoretical conversation on the Sufi notion of the barzakh (an intermediary and relational space) between the premodern Muslim mystic Ibn al-Arabi and contemporary western theorists concerned with space, movement and aesthetics, such as Louis Marin, Henri Lefebvre, Tim Ingold and Martin Seel, this thesis offers an original contribution to the spatial analysis of religion as embodied in the architecture, gardens, and imagination of the Alhambra. Emphasising the barzakh’s role in the interplay between presence and meaning this thesis also draws attention to the dialogue between self as spectator and the garden as spectacle. Through this dialogue, Ibn al-Arabi‘s concept of the barzakh , which he developed in terms of ontology, epistemology and hermeneutics, is investigated and analysed in order to identify a theory of knowledge that relies on the synthesis between experience and imagination. The union of meaning and presence afforded by the intermediary quality of the barzakh is further demonstrated in the physical, imaginative and virtual worlds of the courtyard gardens of the Alhambra. Viewing the Alhambra palaces and gardens in terms of Ibn al-Arabi‘s barzakh, they produce their own language, a showing ‖ of their outer and inner movements, which prompts and provokes the spectator to participate in a poetical and creative encounter. Seen as a barzakh, these gardens put space into movement.
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