Further fictions in print
Includes bibliographical references (p. 36-40). === Further Fictions mediates a particular visual system - that of the screen. I have tried to unravel and grant materiality to this contemporary virtual coding of images using a process of translation: by evoking the inherent nature of the cinematic i...
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| Format: | Dissertation |
| Language: | English |
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University of Cape Town
2015
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| Online Access: | http://hdl.handle.net/11427/11652 |
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-116522020-10-06T05:11:07Z Further fictions in print Norman, Natasha Inggs, Stephen Fine Art Includes bibliographical references (p. 36-40). Further Fictions mediates a particular visual system - that of the screen. I have tried to unravel and grant materiality to this contemporary virtual coding of images using a process of translation: by evoking the inherent nature of the cinematic image in the medium of print.We live in an analogue reality. There is always a shift between an idea and its translation into a model, between the photograph and the reality of the event it references, between the drawing on a matrix and the print of that drawing on paper. In this project I have set myself the task of the translator by grappling with the elements of an image that defy translation from one medium to another. 2015-01-06T19:01:21Z 2015-01-06T19:01:21Z 2011 Master Thesis Masters MFA http://hdl.handle.net/11427/11652 eng application/pdf University of Cape Town Faculty of Humanities Michaelis School of Fine Art |
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NDLTD |
| language |
English |
| format |
Dissertation |
| sources |
NDLTD |
| topic |
Fine Art |
| spellingShingle |
Fine Art Norman, Natasha Further fictions in print |
| description |
Includes bibliographical references (p. 36-40). === Further Fictions mediates a particular visual system - that of the screen. I have tried to unravel and grant materiality to this contemporary virtual coding of images using a process of translation: by evoking the inherent nature of the cinematic image in the medium of print.We live in an analogue reality. There is always a shift between an idea and its translation into a model, between the photograph and the reality of the event it references, between the drawing on a matrix and the print of that drawing on paper. In this project I have set myself the task of the translator by grappling with the elements of an image that defy translation from one medium to another. |
| author2 |
Inggs, Stephen |
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Inggs, Stephen Norman, Natasha |
| author |
Norman, Natasha |
| author_sort |
Norman, Natasha |
| title |
Further fictions in print |
| title_short |
Further fictions in print |
| title_full |
Further fictions in print |
| title_fullStr |
Further fictions in print |
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Further fictions in print |
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further fictions in print |
| publisher |
University of Cape Town |
| publishDate |
2015 |
| url |
http://hdl.handle.net/11427/11652 |
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