The cross-cultural camera of Akira Kurosawa

The cross-cultural camera of Akira Kurosawa

Bibliography: leaves 110-120. === This minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to...

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Bibliographic Details
Main Author: Molapo, Mpaki
Other Authors: Marx, Lesley
Format: Dissertation
Language:English
Published: University of Cape Town 2015
Subjects:
Film and Media Studies
Online Access:http://hdl.handle.net/11427/11010
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-110102020-10-06T05:11:18Z The cross-cultural camera of Akira Kurosawa Molapo, Mpaki Marx, Lesley Film and Media Studies Bibliography: leaves 110-120. This minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to his welding of Occidental and Japanese ideas into his films, and his origin from a hybridized Japan, a society which historically has freely absorbed and embellished itself from numerous cultures, including America, Korea, China and Europe. 2015-01-02T09:19:16Z 2015-01-02T09:19:16Z 2003 Master Thesis Masters MA http://hdl.handle.net/11427/11010 eng application/pdf University of Cape Town Faculty of Humanities Centre for Film and Media Studies
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Film and Media Studies
spellingShingle Film and Media Studies
Molapo, Mpaki
The cross-cultural camera of Akira Kurosawa
description Bibliography: leaves 110-120. === This minor dissertation is undertaken to examine the cross-cultural similarities that are revealed by motion pictures through analyzing the work of Akira Kurosawa and contrasting it with selective mainstream cinema texts. Kurosawa is a critical case in point due to his welding of Occidental and Japanese ideas into his films, and his origin from a hybridized Japan, a society which historically has freely absorbed and embellished itself from numerous cultures, including America, Korea, China and Europe.
author2 Marx, Lesley
author_facet Marx, Lesley
Molapo, Mpaki
author Molapo, Mpaki
author_sort Molapo, Mpaki
title The cross-cultural camera of Akira Kurosawa
title_short The cross-cultural camera of Akira Kurosawa
title_full The cross-cultural camera of Akira Kurosawa
title_fullStr The cross-cultural camera of Akira Kurosawa
title_full_unstemmed The cross-cultural camera of Akira Kurosawa
title_sort cross-cultural camera of akira kurosawa
publisher University of Cape Town
publishDate 2015
url http://hdl.handle.net/11427/11010
work_keys_str_mv AT molapompaki thecrossculturalcameraofakirakurosawa
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