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Includes bibliographical references (p. 101-104). === This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to...

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Main Author: De Greef, Niek
Other Authors: Payne, Malcolm
Format: Dissertation
Language:English
Published: University of Cape Town 2014
Subjects:
Online Access:http://hdl.handle.net/11427/10304
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-103042020-11-11T05:17:00Z Zeegezichten De Greef, Niek Payne, Malcolm Fine Arts Includes bibliographical references (p. 101-104). This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory. 2014-12-27T19:52:02Z 2014-12-27T19:52:02Z 2005 Master Thesis Masters MFA http://hdl.handle.net/11427/10304 eng application/pdf University of Cape Town Faculty of Humanities Michaelis School of Fine Art
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Fine Arts
spellingShingle Fine Arts
De Greef, Niek
Zeegezichten
description Includes bibliographical references (p. 101-104). === This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory.
author2 Payne, Malcolm
author_facet Payne, Malcolm
De Greef, Niek
author De Greef, Niek
author_sort De Greef, Niek
title Zeegezichten
title_short Zeegezichten
title_full Zeegezichten
title_fullStr Zeegezichten
title_full_unstemmed Zeegezichten
title_sort zeegezichten
publisher University of Cape Town
publishDate 2014
url http://hdl.handle.net/11427/10304
work_keys_str_mv AT degreefniek zeegezichten
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