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Includes bibliographical references (p. 101-104). === This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to...
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-103042020-11-11T05:17:00Z Zeegezichten De Greef, Niek Payne, Malcolm Fine Arts Includes bibliographical references (p. 101-104). This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory. 2014-12-27T19:52:02Z 2014-12-27T19:52:02Z 2005 Master Thesis Masters MFA http://hdl.handle.net/11427/10304 eng application/pdf University of Cape Town Faculty of Humanities Michaelis School of Fine Art |
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Fine Arts |
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Fine Arts De Greef, Niek Zeegezichten |
description |
Includes bibliographical references (p. 101-104). === This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory. |
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Payne, Malcolm |
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Payne, Malcolm De Greef, Niek |
author |
De Greef, Niek |
author_sort |
De Greef, Niek |
title |
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University of Cape Town |
publishDate |
2014 |
url |
http://hdl.handle.net/11427/10304 |
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AT degreefniek zeegezichten |
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