The distance between us : strategizing a queer, artistic, personal and social politic

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. === This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively...

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Main Author: Fouche, Pierre
Other Authors: Van Robbroeck, L.
Format: Others
Language:en
Published: Stellenbosch : University of Stellenbosch 2008
Subjects:
Online Access:http://hdl.handle.net/10019.1/2137
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-sun-oai-scholar.sun.ac.za-10019.1-21372016-01-29T04:04:17Z The distance between us : strategizing a queer, artistic, personal and social politic Fouche, Pierre Van Robbroeck, L. Brundrit, J. University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Dissertations -- Art Theses -- Art Dissertations -- Visual arts Theses -- Visual arts Social system Gender identity -- Social aspects Gender identity in art Assimilation (Sociology) Creative ability -- Social aspects Queer theory Individual differences Figurative art Photography -- Social aspects Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively engenders. An alternative is posited in the form of radical assimilation, a theory borrowing the best elements from both approaches. The remainder of the study is focussed on the search for personal and iconographic strategies to pursue a politic of radical assimilation in my creative production. These strategies are finally exemplified and manifested via discussions of the practical corpus of artworks that aided in the formation of this politic. The discursive framework in which this theorization occurs includes considerations of queer theory and photography (especially domestic photography and portraiture) and subjective contextualization (invoking the domestic uses of images), and all should be seen as constituting a personal discursive framework: an attempt to counter the reductive scope an uncontextualised analysis of my work allows. This study is accordingly an explication of the processes that turn the personal into the political; a critical affirmation of difference; and an attempt to narrow the distances between us. 2008-01-31T09:22:25Z 2010-06-01T08:41:16Z 2008-01-31T09:22:25Z 2010-06-01T08:41:16Z 2006-12 Thesis http://hdl.handle.net/10019.1/2137 en University of Stellenbosch 3926693 bytes application/pdf Stellenbosch : University of Stellenbosch
collection NDLTD
language en
format Others
sources NDLTD
topic Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Social system
Gender identity -- Social aspects
Gender identity in art
Assimilation (Sociology)
Creative ability -- Social aspects
Queer theory
Individual differences
Figurative art
Photography -- Social aspects
spellingShingle Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Social system
Gender identity -- Social aspects
Gender identity in art
Assimilation (Sociology)
Creative ability -- Social aspects
Queer theory
Individual differences
Figurative art
Photography -- Social aspects
Fouche, Pierre
The distance between us : strategizing a queer, artistic, personal and social politic
description Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. === This thesis considers radical and reactionary political strategies for questioning systems of gender/sexuality categorisation and finds both wanting in terms of the cultural insularity and mainstream assimilation each respectively engenders. An alternative is posited in the form of radical assimilation, a theory borrowing the best elements from both approaches. The remainder of the study is focussed on the search for personal and iconographic strategies to pursue a politic of radical assimilation in my creative production. These strategies are finally exemplified and manifested via discussions of the practical corpus of artworks that aided in the formation of this politic. The discursive framework in which this theorization occurs includes considerations of queer theory and photography (especially domestic photography and portraiture) and subjective contextualization (invoking the domestic uses of images), and all should be seen as constituting a personal discursive framework: an attempt to counter the reductive scope an uncontextualised analysis of my work allows. This study is accordingly an explication of the processes that turn the personal into the political; a critical affirmation of difference; and an attempt to narrow the distances between us.
author2 Van Robbroeck, L.
author_facet Van Robbroeck, L.
Fouche, Pierre
author Fouche, Pierre
author_sort Fouche, Pierre
title The distance between us : strategizing a queer, artistic, personal and social politic
title_short The distance between us : strategizing a queer, artistic, personal and social politic
title_full The distance between us : strategizing a queer, artistic, personal and social politic
title_fullStr The distance between us : strategizing a queer, artistic, personal and social politic
title_full_unstemmed The distance between us : strategizing a queer, artistic, personal and social politic
title_sort distance between us : strategizing a queer, artistic, personal and social politic
publisher Stellenbosch : University of Stellenbosch
publishDate 2008
url http://hdl.handle.net/10019.1/2137
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