What makes a painting good?: an enquiry into the criteria used in evaluation

From introduction: "To affirm that a work of art is good or bad is to commend or condemn, but not describe . Thus criticism does not, and cannot, have the impersonal character and strict rules applicable independently of time and place," .. . (Macdonald 1966: 111) "Criticism and appra...

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Main Author: Frost, Lola
Format: Others
Language:English
Published: Rhodes University 1988
Subjects:
Online Access:http://hdl.handle.net/10962/d1008542
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-rhodes-vital-24612018-07-05T03:31:05ZWhat makes a painting good?: an enquiry into the criteria used in evaluationFrost, LolaPainting -- AppreciationFrom introduction: "To affirm that a work of art is good or bad is to commend or condemn, but not describe . Thus criticism does not, and cannot, have the impersonal character and strict rules applicable independently of time and place," .. . (Macdonald 1966: 111) "Criticism and appraisal, too, are more like creation than like demonstration and proof." (Macdonald 1966: 112) This essay articulates evaluatory criteria that are used by both critics and laymen and which are cross -culturally applicable. Thus it seeks to articulate relatively objective types of criteria which we all use when evaluating paintings. This essay articulates fixed and objective criteria, but within these categories recognizes that there is much room for skillful, sympathetic and knowledgeable criticism. Thus criticism is a creative act. These objectively- articulated criteria are best seen as aids to, rather than carbon copies, for evaluation.Rhodes UniversityFaculty of Humanities, Fine Art1988ThesisMastersMFA66 leavespdfvital:2461http://hdl.handle.net/10962/d1008542EnglishFrost, Lola
collection NDLTD
language English
format Others
sources NDLTD
topic Painting -- Appreciation
spellingShingle Painting -- Appreciation
Frost, Lola
What makes a painting good?: an enquiry into the criteria used in evaluation
description From introduction: "To affirm that a work of art is good or bad is to commend or condemn, but not describe . Thus criticism does not, and cannot, have the impersonal character and strict rules applicable independently of time and place," .. . (Macdonald 1966: 111) "Criticism and appraisal, too, are more like creation than like demonstration and proof." (Macdonald 1966: 112) This essay articulates evaluatory criteria that are used by both critics and laymen and which are cross -culturally applicable. Thus it seeks to articulate relatively objective types of criteria which we all use when evaluating paintings. This essay articulates fixed and objective criteria, but within these categories recognizes that there is much room for skillful, sympathetic and knowledgeable criticism. Thus criticism is a creative act. These objectively- articulated criteria are best seen as aids to, rather than carbon copies, for evaluation.
author Frost, Lola
author_facet Frost, Lola
author_sort Frost, Lola
title What makes a painting good?: an enquiry into the criteria used in evaluation
title_short What makes a painting good?: an enquiry into the criteria used in evaluation
title_full What makes a painting good?: an enquiry into the criteria used in evaluation
title_fullStr What makes a painting good?: an enquiry into the criteria used in evaluation
title_full_unstemmed What makes a painting good?: an enquiry into the criteria used in evaluation
title_sort what makes a painting good?: an enquiry into the criteria used in evaluation
publisher Rhodes University
publishDate 1988
url http://hdl.handle.net/10962/d1008542
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