The relationship and commitment of an artist to his or her society in a revolutionary environment
From Introduction: In Aesthetics after Modernism, Peter Fuller writes that "good art can only be realized when a creative individual encounters a living tradition with deep tendrils in communal life" (Fuller, 1983: p.36). Yet Francis Bacon believed that "the suffering of people and th...
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| Format: | Others |
| Language: | English |
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Rhodes University
1989
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| Online Access: | http://hdl.handle.net/10962/6662 |