The spectator as transtextual detective in the metaphysical detective films of David Lynch / E.L. Geldenhuys.
The filmic oeuvre of auteur director David Lynch has a reputation among average spectators as being too “difficult” to understand. In particular, the Lynch films Lost Highway and Mulholland Drive are considered by the average spectator to be devoid of any real meaning. Spectator theory provides insi...
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| Language: | en |
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North-West University
2013
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| Online Access: | http://hdl.handle.net/10394/9657 |