Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.

This dissertation presents an investigation into two so-called live art works – Ugly girl at the rugby (1998) and Chandelier (2001-2002) – by the contemporary South African artist Steven Cohen (1962-). These works are explored with reference to the manner in which Cohen (as self-declared queer Jewis...

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Main Author: Snyman, Amé
Language:other
Published: North-West University 2013
Subjects:
Online Access:http://hdl.handle.net/10394/9204
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-nwu-oai-dspace.nwu.ac.za-10394-92042014-09-30T04:04:23ZDie karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.Snyman, AméActivismalternative subject positionchronotopelayered/charged spacesdragJudith ButlercarnavalesquemasqueradegrotesqueMikhail Bakhtinperformance art/living artSteven CohenThis dissertation presents an investigation into two so-called live art works – Ugly girl at the rugby (1998) and Chandelier (2001-2002) – by the contemporary South African artist Steven Cohen (1962-). These works are explored with reference to the manner in which Cohen (as self-declared queer Jewish freak) uses performance art as a form of activism in order to expose practices of marginalisation and suppression (oppression) of non-normative or so-called deviant subject positions in terms of gender, race and ethnicity. The analysis of artworks is guided by the discourse of the carnavalesque and performative conceptualisations of gender with particular emphasis on Cohen’s use of drag as contemporary form of masquerade in order to propose an alternative subject position. The argument is as follows: that Cohen, by setting up an extreme alternative to normative identity constructs, manages to destabilise existing hierarchies that are structured according to binaries as these exist in spaces (such as a rugby stadium and a squatter camp) in the South African context. This destabilising of binary hierarchies gives rise to the argument that the symbolically encoded nature of spaces known for associations of suppression, exclusion and marginalisation are wrought open so that alternative meanings can come into being by activating these spaces as multifaceted and chronotopic constructs. The conclusion is that Cohen contributes profoundly towards the destabilisation of identities and in this way also helps to propose invigorating and fresh views of gender, race and ethnicity in a contemporary South African situation.Thesis (MA (History of Art))--North-West University, Potchefstroom Campus, 2013.North-West University2013-10-03T08:06:01Z2013-10-03T08:06:01Z2012Thesishttp://hdl.handle.net/10394/9204other
collection NDLTD
language other
sources NDLTD
topic Activism
alternative subject position
chronotope
layered/charged spaces
drag
Judith Butler
carnavalesque
masquerade
grotesque
Mikhail Bakhtin
performance art/living art
Steven Cohen
spellingShingle Activism
alternative subject position
chronotope
layered/charged spaces
drag
Judith Butler
carnavalesque
masquerade
grotesque
Mikhail Bakhtin
performance art/living art
Steven Cohen
Snyman, Amé
Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
description This dissertation presents an investigation into two so-called live art works – Ugly girl at the rugby (1998) and Chandelier (2001-2002) – by the contemporary South African artist Steven Cohen (1962-). These works are explored with reference to the manner in which Cohen (as self-declared queer Jewish freak) uses performance art as a form of activism in order to expose practices of marginalisation and suppression (oppression) of non-normative or so-called deviant subject positions in terms of gender, race and ethnicity. The analysis of artworks is guided by the discourse of the carnavalesque and performative conceptualisations of gender with particular emphasis on Cohen’s use of drag as contemporary form of masquerade in order to propose an alternative subject position. The argument is as follows: that Cohen, by setting up an extreme alternative to normative identity constructs, manages to destabilise existing hierarchies that are structured according to binaries as these exist in spaces (such as a rugby stadium and a squatter camp) in the South African context. This destabilising of binary hierarchies gives rise to the argument that the symbolically encoded nature of spaces known for associations of suppression, exclusion and marginalisation are wrought open so that alternative meanings can come into being by activating these spaces as multifaceted and chronotopic constructs. The conclusion is that Cohen contributes profoundly towards the destabilisation of identities and in this way also helps to propose invigorating and fresh views of gender, race and ethnicity in a contemporary South African situation. === Thesis (MA (History of Art))--North-West University, Potchefstroom Campus, 2013.
author Snyman, Amé
author_facet Snyman, Amé
author_sort Snyman, Amé
title Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
title_short Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
title_full Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
title_fullStr Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
title_full_unstemmed Die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van Steven Cohen / A. Snyman.
title_sort die karnavaleske as sosiale kommentaar : 'n ondersoek na geselekteerde werke van steven cohen / a. snyman.
publisher North-West University
publishDate 2013
url http://hdl.handle.net/10394/9204
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