Music education in the foundation phase

Music education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and...

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Main Author: Beer, Luzaan
Format: Others
Language:English
Published: Nelson Mandela Metropolitan University 2015
Subjects:
Online Access:http://hdl.handle.net/10948/d1020302
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-nmmu-vital-85252017-12-21T04:22:39ZMusic education in the foundation phaseBeer, LuzaanMusic -- Instruction and study -- South AfricaEducation -- Curricula -- South AfricaMusic education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and educationists have their own distinctive approach to teaching music. This study explores the theories of music education of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. These theories are applied in a critical analysis of both the South African curriculum and the curriculum of New South Wales. The researcher developed music activities to address the shortcomings of both the South African curriculum and the music texts.Nelson Mandela Metropolitan UniversityFaculty of Arts2015ThesisMastersMMusx, 95 leavespdfvital:8525http://hdl.handle.net/10948/d1020302EnglishNelson Mandela Metropolitan University
collection NDLTD
language English
format Others
sources NDLTD
topic Music -- Instruction and study -- South Africa
Education -- Curricula -- South Africa
spellingShingle Music -- Instruction and study -- South Africa
Education -- Curricula -- South Africa
Beer, Luzaan
Music education in the foundation phase
description Music education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and educationists have their own distinctive approach to teaching music. This study explores the theories of music education of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. These theories are applied in a critical analysis of both the South African curriculum and the curriculum of New South Wales. The researcher developed music activities to address the shortcomings of both the South African curriculum and the music texts.
author Beer, Luzaan
author_facet Beer, Luzaan
author_sort Beer, Luzaan
title Music education in the foundation phase
title_short Music education in the foundation phase
title_full Music education in the foundation phase
title_fullStr Music education in the foundation phase
title_full_unstemmed Music education in the foundation phase
title_sort music education in the foundation phase
publisher Nelson Mandela Metropolitan University
publishDate 2015
url http://hdl.handle.net/10948/d1020302
work_keys_str_mv AT beerluzaan musiceducationinthefoundationphase
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