Music education in the foundation phase
Music education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and...
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ndltd-netd.ac.za-oai-union.ndltd.org-nmmu-vital-85252017-12-21T04:22:39ZMusic education in the foundation phaseBeer, LuzaanMusic -- Instruction and study -- South AfricaEducation -- Curricula -- South AfricaMusic education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and educationists have their own distinctive approach to teaching music. This study explores the theories of music education of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. These theories are applied in a critical analysis of both the South African curriculum and the curriculum of New South Wales. The researcher developed music activities to address the shortcomings of both the South African curriculum and the music texts.Nelson Mandela Metropolitan UniversityFaculty of Arts2015ThesisMastersMMusx, 95 leavespdfvital:8525http://hdl.handle.net/10948/d1020302EnglishNelson Mandela Metropolitan University |
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language |
English |
format |
Others
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Music -- Instruction and study -- South Africa Education -- Curricula -- South Africa |
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Music -- Instruction and study -- South Africa Education -- Curricula -- South Africa Beer, Luzaan Music education in the foundation phase |
description |
Music education is an essential aspect of education. The South African school curriculum for the Creative Arts combines dance, drama, music and the visual arts. The curriculum uses a combination of the theories of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. Each of these music theorists and educationists have their own distinctive approach to teaching music. This study explores the theories of music education of Carl Orff, Emile Jaques-Dalcroze and Zoltán Kodály. These theories are applied in a critical analysis of both the South African curriculum and the curriculum of New South Wales. The researcher developed music activities to address the shortcomings of both the South African curriculum and the music texts. |
author |
Beer, Luzaan |
author_facet |
Beer, Luzaan |
author_sort |
Beer, Luzaan |
title |
Music education in the foundation phase |
title_short |
Music education in the foundation phase |
title_full |
Music education in the foundation phase |
title_fullStr |
Music education in the foundation phase |
title_full_unstemmed |
Music education in the foundation phase |
title_sort |
music education in the foundation phase |
publisher |
Nelson Mandela Metropolitan University |
publishDate |
2015 |
url |
http://hdl.handle.net/10948/d1020302 |
work_keys_str_mv |
AT beerluzaan musiceducationinthefoundationphase |
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1718564930564653056 |