Jocelyn Hagen and Timothy Takach: An Introduction to their Choral Music and a Study of their Positions within a Lineage of Minnesota-Based Composers

• Main Author: Culloton, Michael Patrick
• Format: Others
• Published: North Dakota State University 2018
• Online Access: https://hdl.handle.net/10365/27231

Document incorrectly classified as a thesis on title page (decision to classify as a dissertation from NDSU Graduate School) === This study serves as an introduction to the choral music of Jocelyn Hagen and Timothy Takach. It also examines their positions within a lineage that includes three generations of successful Minnesota-based composers. It begins with Dominick Argento as the key figure in the first generation. The second group includes Stephen Paulus, Libby Larsen, Carol Barnett, and Craig Carnahan. Hagen, Takach, and Abbie Betinis have emerged as leaders of the third generation, and are discussed in that context. Major similarities that link each generation include a high level of compositional craft and advocacy work on behalf of other composers and the artistic community in the Twin Cities. These similarities are explored as part of this thesis. Additionally, this study explores the link between the composers of this lineage and the thriving choral community found in Minnesota, especially in the Twin Cities region. Conductors Dale Warland and Philip Brunelle have been important figures in the musical and personal lives of nearly every composer in this lineage. Their careers and philosophies regarding the commissioning of new music are also studied.