Cut and Paste: The Mobile Image From Watteau to Robert
This dissertation takes a mode of production — cutting-and-pasting in its most literal and more abstract forms — as a tool for thinking anew about eighteenth-century French art and visual culture in two key ways. The first is to orient art historians’ focus away from spaces of reception (prioritize...
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| Format: | Others |
| Language: | en |
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Harvard University
2017
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| Online Access: | http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493587 |