INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING)
Gordon Binkerd has composed one of the largest choral repertoires in the twentieth century. Including works in preparation, the repertoire now totals more than one-hundred compositions--all but six, published by Boosey & Hawkes, Inc. === Three major areas are explored: (a) influences which helpe...
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ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_754112019-07-01T04:05:45Z INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) SALADINO, DAVID ANDREW. Florida State University Text 335 p. Gordon Binkerd has composed one of the largest choral repertoires in the twentieth century. Including works in preparation, the repertoire now totals more than one-hundred compositions--all but six, published by Boosey & Hawkes, Inc. Three major areas are explored: (a) influences which helped shape Binkerd's musical growth as well as his understanding and love of poetry; (b) borrowed music: the process of adapting texts to music of composers from earlier periods to create an interesting and unique genre in twentieth-century choral repertoire; and (c) musical implications of text-painting analyzed in four compositions. Binkerd has combined preparation as a musicologist, while at Harvard (1946-49), with love and knowledge of literature and poetry. This blend of disciplines is a principal reason for the large choral repertoire and for the genre of composition identified as borrowed music: use of the compositional techniques of parody, paraphrase, intabulation and contrafactum in adapting poetry to music--primarily keyboard works--of composers from earlier periods. The study explores poetical influence on this and other facets of Binkerd's choral repertoire with particular attention to how this influence has contributed to Binkerd's text-painting style. The final chapter outlines briefly the educational value found in this extensive repertoire. Included are three appendices which contain a complete catalog of choral works; an annotated alphabetical listing of poems and other textual sources used in the settings; and, available only from the Florida State University Music Library, six cassettes containing thirty-six recordings of compositions from the choral repertoire and full scores of the eleven compositions analyzed in Chapters IV and VI. On campus use only. Source: Dissertation Abstracts International, Volume: 45-09, Section: A, page: 2690. Thesis (Ph.D.)--The Florida State University, 1984. Music http://purl.flvc.org/fsu/lib/digcoll/etd/3085925 Dissertation Abstracts International AAI8428707 3085925 FSDT3085925 fsu:75411 http://diginole.lib.fsu.edu/islandora/object/fsu%3A75411/datastream/TN/view/INFLUENCE%20OF%20POETRY%20ON%20COMPOSITIONAL%20PRACTICES%20IN%20SELECTED%20CHORAL%20MUSIC%20OF%20GORDON%20BINKERD%20%28TEXT%20PAINTING%29.jpg |
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Music INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
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Gordon Binkerd has composed one of the largest choral repertoires in the twentieth century. Including works in preparation, the repertoire now totals more than one-hundred compositions--all but six, published by Boosey & Hawkes, Inc. === Three major areas are explored: (a) influences which helped shape Binkerd's musical growth as well as his understanding and love of poetry; (b) borrowed music: the process of adapting texts to music of composers from earlier periods to create an interesting and unique genre in twentieth-century choral repertoire; and (c) musical implications of text-painting analyzed in four compositions. === Binkerd has combined preparation as a musicologist, while at Harvard (1946-49), with love and knowledge of literature and poetry. This blend of disciplines is a principal reason for the large choral repertoire and for the genre of composition identified as borrowed music: use of the compositional techniques of parody, paraphrase, intabulation and contrafactum in adapting poetry to music--primarily keyboard works--of composers from earlier periods. The study explores poetical influence on this and other facets of Binkerd's choral repertoire with particular attention to how this influence has contributed to Binkerd's text-painting style. The final chapter outlines briefly the educational value found in this extensive repertoire. === Included are three appendices which contain a complete catalog of choral works; an annotated alphabetical listing of poems and other textual sources used in the settings; and, available only from the Florida State University Music Library, six cassettes containing thirty-six recordings of compositions from the choral repertoire and full scores of the eleven compositions analyzed in Chapters IV and VI. === Source: Dissertation Abstracts International, Volume: 45-09, Section: A, page: 2690. === Thesis (Ph.D.)--The Florida State University, 1984. |
author2 |
SALADINO, DAVID ANDREW. |
author_facet |
SALADINO, DAVID ANDREW. |
title |
INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
title_short |
INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
title_full |
INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
title_fullStr |
INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
title_full_unstemmed |
INFLUENCE OF POETRY ON COMPOSITIONAL PRACTICES IN SELECTED CHORAL MUSIC OF GORDON BINKERD (TEXT PAINTING) |
title_sort |
influence of poetry on compositional practices in selected choral music of gordon binkerd (text painting) |
url |
http://purl.flvc.org/fsu/lib/digcoll/etd/3085925 |
_version_ |
1719215773799415808 |