Amid the Shades

Since the 19th century, numerous poets, lyricists, and hymnists have penned texts to be sung to the Welsh folk tune “Llwyn Onn,” also known as “The Ash Grove” (12.11.12.11 D). The texts explore many different themes, including the beauty of nature, courtship, limerence, the loss of loved ones, spiri...

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Other Authors: Stemke, John Ash (author)
Format: Others
Language:English
English
Published: Florida State University
Online Access:http://purl.flvc.org/fsu/fd/2019_Spring_Stemke_fsu_0071E_15133
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_7098352019-11-15T03:36:45Z Amid the Shades Stemke, John Ash (author) Callender, Clifton (Professor Directing Dissertation) Thomas, André J. (André Jerome) (University Representative) Wingate, Mark (Committee Member) Rogers, Nancy (Committee Member) Jones, Evan Allan (Committee Member) Florida State University (degree granting institution) College of Music (degree granting college) Text text doctoral thesis Florida State University English eng 1 online resource (66 pages) computer application/pdf Since the 19th century, numerous poets, lyricists, and hymnists have penned texts to be sung to the Welsh folk tune “Llwyn Onn,” also known as “The Ash Grove” (12.11.12.11 D). The texts explore many different themes, including the beauty of nature, courtship, limerence, the loss of loved ones, spirituality, and various Christian principles. Metaphorically, the melody shared by these diverse texts can be considered the root or seed that links each text-tree together, establishing a grove of perspectives from which the melody itself can be understood. These relationships—where each text-tree is a unique elaboration of an underlying structure— eloquently describe numerous music-compositional practices, such as (and perhaps most noticeably) the theme and variations. Given this resonant symbolism, it is surprising that a vast majority of “Ash Grove” arrangements are not variation sets. The small pool of existing sets primarily contains solos and small chamber works, is stylistically dominated by 18th- and 19th-century idioms, and does not overtly engage with symbolism or extramusical references. In order to develop this dialogue, “Amid the Shades” offers an interpretive cultivation of “The Ash Grove” that demonstrates the broader possibilities of writing variations inspired by specific words found in a musical theme’s associated texts. A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. Spring Semester 2019. April 17, 2019. Ash Grove, Chamber Orchestra, Composition, Variations Includes bibliographical references. Clifton Callender, Professor Directing Dissertation; André Thomas, University Representative; Mark Wingate, Committee Member; Nancy Rogers, Committee Member; Evan Allan Jones, Committee Member. 2019_Spring_Stemke_fsu_0071E_15133 http://purl.flvc.org/fsu/fd/2019_Spring_Stemke_fsu_0071E_15133 http://diginole.lib.fsu.edu/islandora/object/fsu%3A709835/datastream/TN/view/Amid%20the%20Shades.jpg
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description Since the 19th century, numerous poets, lyricists, and hymnists have penned texts to be sung to the Welsh folk tune “Llwyn Onn,” also known as “The Ash Grove” (12.11.12.11 D). The texts explore many different themes, including the beauty of nature, courtship, limerence, the loss of loved ones, spirituality, and various Christian principles. Metaphorically, the melody shared by these diverse texts can be considered the root or seed that links each text-tree together, establishing a grove of perspectives from which the melody itself can be understood. These relationships—where each text-tree is a unique elaboration of an underlying structure— eloquently describe numerous music-compositional practices, such as (and perhaps most noticeably) the theme and variations. Given this resonant symbolism, it is surprising that a vast majority of “Ash Grove” arrangements are not variation sets. The small pool of existing sets primarily contains solos and small chamber works, is stylistically dominated by 18th- and 19th-century idioms, and does not overtly engage with symbolism or extramusical references. In order to develop this dialogue, “Amid the Shades” offers an interpretive cultivation of “The Ash Grove” that demonstrates the broader possibilities of writing variations inspired by specific words found in a musical theme’s associated texts. === A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. === Spring Semester 2019. === April 17, 2019. === Ash Grove, Chamber Orchestra, Composition, Variations === Includes bibliographical references. === Clifton Callender, Professor Directing Dissertation; André Thomas, University Representative; Mark Wingate, Committee Member; Nancy Rogers, Committee Member; Evan Allan Jones, Committee Member.
author2 Stemke, John Ash (author)
author_facet Stemke, John Ash (author)
title Amid the Shades
spellingShingle Amid the Shades
title_short Amid the Shades
title_full Amid the Shades
title_fullStr Amid the Shades
title_full_unstemmed Amid the Shades
title_sort amid the shades
publisher Florida State University
url http://purl.flvc.org/fsu/fd/2019_Spring_Stemke_fsu_0071E_15133
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