Muyong

This piece is written for string quartet, and is composed of two contrasting movements. Based on the idea of blending Western and non-Western musical elements, it was inspired by Korean traditional dance music. Non-standard instrumental techniques, folkloric tunes, and other elements contribute to i...

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Other Authors: Yu, Eunseon (author)
Format: Others
Language:English
English
Published: Florida State University
Online Access:http://purl.flvc.org/fsu/fd/2018_Sp_Yu_fsu_0071N_14545
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_6535362019-07-01T05:20:51Z Muyong Yu, Eunseon (author) Jones, Evan Allan (professor directing thesis) Callender, Clifton (committee member) Wingate, Mark (committee member) Florida State University (degree granting institution) College of Music (degree granting college) College of Music (degree granting departmentdgg) Text text master thesis Florida State University English eng 1 online resource (29 pages) computer application/pdf This piece is written for string quartet, and is composed of two contrasting movements. Based on the idea of blending Western and non-Western musical elements, it was inspired by Korean traditional dance music. Non-standard instrumental techniques, folkloric tunes, and other elements contribute to its blended musical language. This piece is intended to comment on the globalization of contemporary music by exploring the Korean traditional musical cultures. I. The first movement was inspired by Korean court dance. In contrast with the general features of dance music, Korean court dance can be represented by the words such as “slow, calm, static, …” This movement imitates such non-rhythmic movement although the middle section leads the music to a climax with a faster tempo. Another feature of this movement is the sporadic use of dissonant harmonies. This piece uses dissonance to reproduce primitive sounds coming from “unrefined” instruments in Korean traditional music. II. While the first movement reflects dance in high culture, the second movement features more dance-like folk music. Textures that can be described as “fast, rhythmic, energetic, …” can easily be found in this movement while the tune strongly evokes melodies of Korean traditional folk dance. Duration: 7m A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music. Spring Semester 2018. April 20, 2018. Includes bibliographical references. Evan A. Jones, Professor Directing Thesis; Clifton Callender, Committee Member; Mark Wingate, Committee Member. 2018_Sp_Yu_fsu_0071N_14545 http://purl.flvc.org/fsu/fd/2018_Sp_Yu_fsu_0071N_14545 http://diginole.lib.fsu.edu/islandora/object/fsu%3A653536/datastream/TN/view/Muyong.jpg
collection NDLTD
language English
English
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description This piece is written for string quartet, and is composed of two contrasting movements. Based on the idea of blending Western and non-Western musical elements, it was inspired by Korean traditional dance music. Non-standard instrumental techniques, folkloric tunes, and other elements contribute to its blended musical language. This piece is intended to comment on the globalization of contemporary music by exploring the Korean traditional musical cultures. I. The first movement was inspired by Korean court dance. In contrast with the general features of dance music, Korean court dance can be represented by the words such as “slow, calm, static, …” This movement imitates such non-rhythmic movement although the middle section leads the music to a climax with a faster tempo. Another feature of this movement is the sporadic use of dissonant harmonies. This piece uses dissonance to reproduce primitive sounds coming from “unrefined” instruments in Korean traditional music. II. While the first movement reflects dance in high culture, the second movement features more dance-like folk music. Textures that can be described as “fast, rhythmic, energetic, …” can easily be found in this movement while the tune strongly evokes melodies of Korean traditional folk dance. Duration: 7m === A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music. === Spring Semester 2018. === April 20, 2018. === Includes bibliographical references. === Evan A. Jones, Professor Directing Thesis; Clifton Callender, Committee Member; Mark Wingate, Committee Member.
author2 Yu, Eunseon (author)
author_facet Yu, Eunseon (author)
title Muyong
spellingShingle Muyong
title_short Muyong
title_full Muyong
title_fullStr Muyong
title_full_unstemmed Muyong
title_sort muyong
publisher Florida State University
url http://purl.flvc.org/fsu/fd/2018_Sp_Yu_fsu_0071N_14545
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