The Percussion Music of Michael W. Udow: Composer Portrait and Performance Analysis of Selected Works
This treatise focuses on the percussion music of pioneering performer, pedagogue, and composer Michael Udow, Professor Emeritus at the University of Michigan from 1982 to 2011. Michael Udow occupied a unique position as performer, teacher, and composer. His access to a vast persona...
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| Format: | Others |
| Language: | English English |
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Florida State University
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| Online Access: | http://purl.flvc.org/fsu/fd/FSU_FALL2017_Baldauff_fsu_0071E_14218 |
| Summary: | This treatise focuses on the percussion music of pioneering performer, pedagogue, and composer Michael Udow, Professor Emeritus at the
University of Michigan from 1982 to 2011. Michael Udow occupied a unique position as performer, teacher, and composer. His access to a vast
personal and academic instrument inventory coupled with dedicated students allowed for high-quality workshops and performances of his
compositions, producing numerous examples of new/unique sound sources and instrument setups/combinations. Areas of focus include a brief
biography of Professor Udow, performance analyses of three works selected as examples of his eclectic compositional style, and finally a
comprehensive list of Dr. Udow’s works for solo percussion and chamber percussion ensembles. Pedagogical and performance issues are addressed
at the conclusion of each analysis to encourage compelling interpretations of Udow’s music. === A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of
Doctor of Music. === Fall Semester 2017. === November 2, 2017. === Blackearth, Equilibrium, Michael Udow, Percussion, Percussion Ensemble === Includes bibliographical references. === John Will Parks, Professor Directing Treatise; Frank Gunderson, University Representative; Christopher
Moore, Committee Member; Patrick Dunnigan, Committee Member. |
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