An Exploration of Late Twentieth Century American Flute and Guitar Works with Emphasis on Robert Beaser’s Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar
A number of important flute and guitar compositions were written by American composers during the late twentieth century. These works have yet to be explored in any academic study. This treatise, in conjunction with two lecture recitals, presents relevant compositional analys...
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Format: | Others |
Language: | English English |
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Florida State University
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Online Access: | http://purl.flvc.org/fsu/fd/FSU_FA2016_Taylor_fsu_0071E_13534 |
Summary: | A number of important flute and guitar compositions were written by American composers during the late twentieth century. These
works have yet to be explored in any academic study. This treatise, in conjunction with two lecture recitals, presents relevant
compositional analysis and historical information of six American flute and guitar compositions. Two compositions, Robert Beaser’s
Mountain Songs and Lowell Liebermann’s Sonata for Flute and Guitar, will be analyzed in detail in separate chapters. Other works to be
discussed include Joan Tower’s Snow Dreams, Katherine Hoover’s Canyon Echoes, Libby Larsen’s Blue Third Pieces, and George Rochberg’s Muse
of Fire. American composers have significantly contributed to the body of literature for the flute and guitar. Furthermore, the
compositions in this study have contributed to a trend an equal distribution of thematic material between the flute and guitar. Although
current research shows this trend began in the late 1980s with the appearance of Astor Piazzolla’s Histoire du Tango for flute and guitar
in 1986, this treatise points to pieces written prior to this time. The primary goal of this study is to bring awareness to late twentieth
century American flute and guitar compositions. The pieces highlighted are colorful examples of American composers’ contribution to the
rise of the flute and guitar duo in the late twentieth century. Perhaps the most important conclusion, however, is that the flute and
guitar duo has, and continues to be, a credible chamber group with a diverse, exciting repertoire for its performers. === A Treatise submitted to the College of Music in partial fulfillment of the requirements for the
degree of Doctor of Music. === Fall Semester 2016. === November 2, 2016. === American, flute, guitar, twentieth century === Includes bibliographical references. === Eva Amsler, Professor Directing Treatise; Evan Jones, University Representative; Jeffrey
Keesecker, Committee Member; Eric Ohlsson, Committee Member. |
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