A Guide to Orchestral Second Clarinet Performance
The purpose of this research is to gain insight on different aspects of orchestral performance and ensemble skills from the perspective of the second clarinetist. Most of the existing literature related to orchestral clarinet performance focuses primarily on the audition process and the preparation...
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ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_3664402020-09-02T05:05:30Z A Guide to Orchestral Second Clarinet Performance Glazier, Jaclyn Surber (authoraut) Bish, Deborah, 1971- (professor directing treatise) Kelly, Steven N. (university representative) Hodges, Anne (committee member) Holden, Jonathan (committee member) Florida State University (degree granting institution) College of Music (degree granting college) College of Music (degree granting department) Text text Florida State University Florida State University English eng 1 online resource (101 pages) computer application/pdf The purpose of this research is to gain insight on different aspects of orchestral performance and ensemble skills from the perspective of the second clarinetist. Most of the existing literature related to orchestral clarinet performance focuses primarily on the audition process and the preparation of principal clarinet excerpts. The aim of this study is to examine the proficiencies needed to perform effectively in an orchestral setting. The focus is primarily on second clarinet playing because it is particularly demanding in regards to ensemble skills. Through interviews with experts, this research examines the challenges involved in playing second clarinet in an orchestra, and the methods through which an orchestral musician can develop ensemble skills. All of the experts questioned have held a position with a major American symphony orchestra for a minimum of eight years. The experts were consulted about personal attitude and approach, balance, intonation, tone, articulation, preparation, collaboration, and other factors that exemplify excellent ensemble playing. Specific second clarinet excerpts were also addressed, particularly with advice on how to play them in the final round of an audition with a member of the orchestra. It is my goal to provide valuable information to help clarinetists and other musicians improve their ensemble skills, to assist teachers in passing on this expertise to their students, and to aid clarinetists seeking to win second clarinet auditions. A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. Summer Semester 2016. July 8, 2016. Includes bibliographical references. Deborah Bish, Professor Directing Treatise; Steven N. Kelly, University Representative; Anne Hodges, Committee Member; Jonathan Holden, Committee Member. Music FSU_2016SU_Glazier_fsu_0071E_13443 http://purl.flvc.org/fsu/fd/FSU_2016SU_Glazier_fsu_0071E_13443 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A366440/datastream/TN/view/Guide%20to%20Orchestral%20Second%20Clarinet%20Performance.jpg |
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The purpose of this research is to gain insight on different aspects of orchestral performance and ensemble skills from the perspective of the second clarinetist. Most of the existing literature related to orchestral clarinet performance focuses primarily on the audition process and the preparation of principal clarinet excerpts. The aim of this study is to examine the proficiencies needed to perform effectively in an orchestral setting. The focus is primarily on second clarinet playing because it is particularly demanding in regards to ensemble skills. Through interviews with experts, this research examines the challenges involved in playing second clarinet in an orchestra, and the methods through which an orchestral musician can develop ensemble skills. All of the experts questioned have held a position with a major American symphony orchestra for a minimum of eight years. The experts were consulted about personal attitude and approach, balance, intonation, tone, articulation, preparation, collaboration, and other factors that exemplify excellent ensemble playing. Specific second clarinet excerpts were also addressed, particularly with advice on how to play them in the final round of an audition with a member of the orchestra. It is my goal to provide valuable information to help clarinetists and other musicians improve their ensemble skills, to assist teachers in passing on this expertise to their students, and to aid clarinetists seeking to win second clarinet auditions. === A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. === Summer Semester 2016. === July 8, 2016. === Includes bibliographical references. === Deborah Bish, Professor Directing Treatise; Steven N. Kelly, University Representative; Anne Hodges, Committee Member; Jonathan Holden, Committee Member. |
author2 |
Glazier, Jaclyn Surber (authoraut) |
author_facet |
Glazier, Jaclyn Surber (authoraut) |
title |
A Guide to Orchestral Second Clarinet Performance |
title_short |
A Guide to Orchestral Second Clarinet Performance |
title_full |
A Guide to Orchestral Second Clarinet Performance |
title_fullStr |
A Guide to Orchestral Second Clarinet Performance |
title_full_unstemmed |
A Guide to Orchestral Second Clarinet Performance |
title_sort |
guide to orchestral second clarinet performance |
publisher |
Florida State University |
url |
http://purl.flvc.org/fsu/fd/FSU_2016SU_Glazier_fsu_0071E_13443 |
_version_ |
1719339182790279168 |