Listener Perceptions of Selected Emotions Portrayed by Singing

The purpose of this study was to observe people's perception of portrayed emotion in singing, and if emotion intensity influences perception of emotion. Participants, who were undergraduate non-music majors (N = 39), took part in in a music listening study to choose which emotion th...

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Other Authors: Braden, Alexander H. (authoraut)
Format: Others
Language:English
English
Published: Florida State University
Subjects:
Online Access:http://purl.flvc.org/fsu/fd/FSU_2015fall_Braden_fsu_0071N_12976
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_2912642019-07-01T04:59:29Z Listener Perceptions of Selected Emotions Portrayed by Singing Braden, Alexander H. (authoraut) Geringer, John M. (professor directing thesis) Madsen, Clifford K. (committee member) Gregory, Sarah Dianne (committee member) Florida State University (degree granting institution) College of Music (degree granting college) College of Music (degree granting department) Text text Florida State University English eng 1 online resource (37 pages) computer application/pdf The purpose of this study was to observe people's perception of portrayed emotion in singing, and if emotion intensity influences perception of emotion. Participants, who were undergraduate non-music majors (N = 39), took part in in a music listening study to choose which emotion they heard, and the perceived intensity of the emotion. The participants listened to original music compositions created by the author, referencing previously researched original melodies and using a meaningless, fabricated language used in speech research for the lyrics, recorded by undergraduate music majors. Results indicate that certain emotions, primarily sadness and contempt, are more accurately and readily perceived than other emotions. Other portrayed emotions, joy and love, had a moderately high percent of responses, but were not significantly different than other responses for those portrayals. The intensity of the emotion appears to have a small correlation to the accurate perception of emotion. While further research into emotion portrayal and perception through singing is still needed, the findings suggest that certain modalities of emotion are more easily identified than others. Music therapists working in fields which focus on emotion regulation and perception could use this research to further improve interventions to help patients and clients better to portray their emotions, understand how people interpret emotions differently, and more effective ways to portray emotion. A Thesis submitted to the College of Music in partial fulfillment of the Master of Music. Fall Semester 2015. November 11, 2015. Includes bibliographical references. John M. Geringer, Professor Directing Thesis; Clifford K. Madsen, Committee Member; Dianne Gregory, Committee Member. Music FSU_2015fall_Braden_fsu_0071N_12976 http://purl.flvc.org/fsu/fd/FSU_2015fall_Braden_fsu_0071N_12976 http://diginole.lib.fsu.edu/islandora/object/fsu%3A291264/datastream/TN/view/Listener%20Perceptions%20of%20Selected%20Emotions%20Portrayed%20by%20Singing.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic Music
spellingShingle Music
Listener Perceptions of Selected Emotions Portrayed by Singing
description The purpose of this study was to observe people's perception of portrayed emotion in singing, and if emotion intensity influences perception of emotion. Participants, who were undergraduate non-music majors (N = 39), took part in in a music listening study to choose which emotion they heard, and the perceived intensity of the emotion. The participants listened to original music compositions created by the author, referencing previously researched original melodies and using a meaningless, fabricated language used in speech research for the lyrics, recorded by undergraduate music majors. Results indicate that certain emotions, primarily sadness and contempt, are more accurately and readily perceived than other emotions. Other portrayed emotions, joy and love, had a moderately high percent of responses, but were not significantly different than other responses for those portrayals. The intensity of the emotion appears to have a small correlation to the accurate perception of emotion. While further research into emotion portrayal and perception through singing is still needed, the findings suggest that certain modalities of emotion are more easily identified than others. Music therapists working in fields which focus on emotion regulation and perception could use this research to further improve interventions to help patients and clients better to portray their emotions, understand how people interpret emotions differently, and more effective ways to portray emotion. === A Thesis submitted to the College of Music in partial fulfillment of the Master of Music. === Fall Semester 2015. === November 11, 2015. === Includes bibliographical references. === John M. Geringer, Professor Directing Thesis; Clifford K. Madsen, Committee Member; Dianne Gregory, Committee Member.
author2 Braden, Alexander H. (authoraut)
author_facet Braden, Alexander H. (authoraut)
title Listener Perceptions of Selected Emotions Portrayed by Singing
title_short Listener Perceptions of Selected Emotions Portrayed by Singing
title_full Listener Perceptions of Selected Emotions Portrayed by Singing
title_fullStr Listener Perceptions of Selected Emotions Portrayed by Singing
title_full_unstemmed Listener Perceptions of Selected Emotions Portrayed by Singing
title_sort listener perceptions of selected emotions portrayed by singing
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_2015fall_Braden_fsu_0071N_12976
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