When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces

This dissertation develops a model of material composing knowledge, which considers the role that surfaces, environments, and tools play in the composing processes of student writers as they shift their writing practices across multiple contexts. The research questions ask if and how knowledge of ma...

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Other Authors: Zawilski, Bret (authoraut)
Format: Others
Language:English
English
Published: Florida State University
Subjects:
Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-9532
id ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_273628
record_format oai_dc
collection NDLTD
language English
English
format Others
sources NDLTD
topic Education
spellingShingle Education
When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
description This dissertation develops a model of material composing knowledge, which considers the role that surfaces, environments, and tools play in the composing processes of student writers as they shift their writing practices across multiple contexts. The research questions ask if and how knowledge of materiality aids students in transferring their writing knowledge and practice across dissimilar composing tasks, such as the remediation of a Print Newsletter into a networked text. To address these questions, it builds upon a model of composing developed by Anne Beaufort that looks at five domains—discourse community knowledge, rhetorical knowledge, writing process knowledge, genre knowledge, and subject matter knowledge—that comprise a model of writing aimed at fostering transfer, and this study considers the addition of a sixth domain: material composing knowledge. This exploration of material composing knowledge extends upon research already conducted within the field of writing studies that looks at how transfer occurs in writing courses. Its situated location within an upper-level writing course, "Writing and Editing in Print and Online," provides the opportunity to look at a class in which students are explicitly called upon to recontextualize, that is to transfer, their writing practices across three contexts: print, screen, and network composing. This study made use of think-aloud protocols to render visible the decisions students made while they remediated a previously-created text for a new context and resulted in the development of three characterizations of student participants as Remixers, Assemblers, and Synthesizers. These three characterizations reflected the ways in which student participants relied upon prior knowledge, material composing knowledge, and their stances as what Mary Jo Reiff and Anis Bawarshi describe as border-guarders and border-crossers. The study resulted in the following four claims: (1) considerations of surfaces, environments, and tools play a large role in how these students approached recontextualizing their writing across print, screen, and network contexts; (2) students relied heavily upon prior knowledge—in particular, their out-of-school literacies, when recontextualizing their writing practices; (3) the kinds of prior knowledge these students had with varied materials—tools, surfaces, environments—greatly influenced how they approached the recontextualization of their writing; and (4) the concepts of border-guarding and border-crossing extend beyond students' knowledge of genre and beyond the transition from high school to college—these concepts can be seen in the ways that these students employed and repurposed materials while composing. As a result, this dissertation suggests that material composing knowledge can serve as another valuable knowledge domain that would fit within the model developed by Beaufort, and that this domain would prove especially useful when students engage in transferring their writing knowledge and practices across dissimilar writing tasks. Additionally, this research suggests three pedagogical applications, that we should (1) incorporate activities that emphasize reflection-in-action as a way to assist students articulate their decisions, (2) emphasize the role of workarounds as opportunities for transferring writing knowledge and practices from one context to another, and (3) provide models or detailed scenarios that describe what successful and unsuccessful attempts of recontextualizing writing look like. === A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy. === Summer Semester 2015. === June 8, 2015. === composition, materiality, transfer, writing studies === Includes bibliographical references. === Kathleen Blake Yancey, Professor Directing Dissertation; Jonathan Adams, University Representative; Michael Neal, Committee Member; Kristie Fleckenstein, Committee Member.
author2 Zawilski, Bret (authoraut)
author_facet Zawilski, Bret (authoraut)
title When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
title_short When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
title_full When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
title_fullStr When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
title_full_unstemmed When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces
title_sort when all that is old becomes new: transferring writing knowledge and practice across print, screen, and network spaces
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-9532
_version_ 1719323125127053312
spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_2736282020-06-23T03:08:19Z When All That Is Old Becomes New: Transferring Writing Knowledge and Practice Across Print, Screen, and Network Spaces Zawilski, Bret (authoraut) Yancey, Kathleen Blake (professor directing dissertation) Adams, Jonathan L. (university representative) Neal, Michael R. (committee member) Fleckenstein, Kristie S. (committee member) Florida State University (degree granting institution) College of Arts and Sciences (degree granting college) Department of English (degree granting department) Text text Florida State University Florida State University English eng 1 online resource (261 pages) computer application/pdf This dissertation develops a model of material composing knowledge, which considers the role that surfaces, environments, and tools play in the composing processes of student writers as they shift their writing practices across multiple contexts. The research questions ask if and how knowledge of materiality aids students in transferring their writing knowledge and practice across dissimilar composing tasks, such as the remediation of a Print Newsletter into a networked text. To address these questions, it builds upon a model of composing developed by Anne Beaufort that looks at five domains—discourse community knowledge, rhetorical knowledge, writing process knowledge, genre knowledge, and subject matter knowledge—that comprise a model of writing aimed at fostering transfer, and this study considers the addition of a sixth domain: material composing knowledge. This exploration of material composing knowledge extends upon research already conducted within the field of writing studies that looks at how transfer occurs in writing courses. Its situated location within an upper-level writing course, "Writing and Editing in Print and Online," provides the opportunity to look at a class in which students are explicitly called upon to recontextualize, that is to transfer, their writing practices across three contexts: print, screen, and network composing. This study made use of think-aloud protocols to render visible the decisions students made while they remediated a previously-created text for a new context and resulted in the development of three characterizations of student participants as Remixers, Assemblers, and Synthesizers. These three characterizations reflected the ways in which student participants relied upon prior knowledge, material composing knowledge, and their stances as what Mary Jo Reiff and Anis Bawarshi describe as border-guarders and border-crossers. The study resulted in the following four claims: (1) considerations of surfaces, environments, and tools play a large role in how these students approached recontextualizing their writing across print, screen, and network contexts; (2) students relied heavily upon prior knowledge—in particular, their out-of-school literacies, when recontextualizing their writing practices; (3) the kinds of prior knowledge these students had with varied materials—tools, surfaces, environments—greatly influenced how they approached the recontextualization of their writing; and (4) the concepts of border-guarding and border-crossing extend beyond students' knowledge of genre and beyond the transition from high school to college—these concepts can be seen in the ways that these students employed and repurposed materials while composing. As a result, this dissertation suggests that material composing knowledge can serve as another valuable knowledge domain that would fit within the model developed by Beaufort, and that this domain would prove especially useful when students engage in transferring their writing knowledge and practices across dissimilar writing tasks. Additionally, this research suggests three pedagogical applications, that we should (1) incorporate activities that emphasize reflection-in-action as a way to assist students articulate their decisions, (2) emphasize the role of workarounds as opportunities for transferring writing knowledge and practices from one context to another, and (3) provide models or detailed scenarios that describe what successful and unsuccessful attempts of recontextualizing writing look like. A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Summer Semester 2015. June 8, 2015. composition, materiality, transfer, writing studies Includes bibliographical references. Kathleen Blake Yancey, Professor Directing Dissertation; Jonathan Adams, University Representative; Michael Neal, Committee Member; Kristie Fleckenstein, Committee Member. Education FSU_migr_etd-9532 http://purl.flvc.org/fsu/fd/FSU_migr_etd-9532 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A273628/datastream/TN/view/When%20All%20That%20Is%20Old%20Becomes%20New.jpg