Toward a Post/Colonial National Identity in the Theatre of Madagascar: Jean-Luc Raharimanana's 47 and the Prophet and the President
This thesis analyzes two plays from Madagascar that confront colonialism and its continuing presence in a "post" colonial world. It traces the shifting definitions of "postcolonial" theatre, settling on a lesser used configuration of the word, post/colonial, that, where used else...
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| Format: | Others |
| Language: | English English |
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Florida State University
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| Online Access: | http://purl.flvc.org/fsu/fd/FSU_migr_etd-6380 |