Contemporary New Zealand Piano Music: Four Selected Works from Twelve Landscape Preludes: Landscape Prelude, the Street Where I Live, Sleeper and the Horizon from Owhiro Bay

• Other Authors: Kim, Joohae (authoraut)
• Format: Others
• Language: English; English
• Published: Florida State University
• Subjects: Music
• Online Access: http://purl.flvc.org/fsu/fd/FSU_migr_etd-4952

Landscape Preludes is a collection of pieces commissioned in 2003 by New Zealand pianist Stephen de Pledge from twelve New Zealand composers. The writing took about four years and the complete set was first performed by de Pledge at the International Festival of Arts in Wellington, New Zealand, on 6 April 2008. The title `Landscape Preludes' refers to inspiration drawn from New Zealand landscapes in general rather than to specific geographical locations. This treatise examines four pieces from the set: Landscape Preludes by Jenny McLeod, The Street Where I Live by Jack Body, Sleeper by John Psathas and The Horizon from Owhiro Bay by Gareth Farr. These were chosen to represent four contemporary approaches to writing for the piano: music generated from a theoretical notion (McLeod); the piano combined with electronic material (Body); color derived from minimalism, combined with Greek modes (Psathas); the inspiration of the Balinese gamelan (Farr). The treatise is arranged in three main chapters: a historical background of New Zealand music; biographies of the four composers; and an analysis and performance guide for the four selected pieces. The first chapter describes the history of New Zealand music followed by discussion of New Zealand's natural landscapes, recent New Zealand composers, and background information of Landscape Preludes. The second chapter presents information on each composer's life, musical influences and achievements. The third chapter, the analysis and performance guide, I discusses aspects of compositional technique including rhythm, ostinato, harmonic language, pitch choices, and texture. This chapter also describes specific compositional styles such as the use of Greek scales, musical elements from the Balinese gamelan, the Tone Clock system of Peter Schat, and Sprechstimme, a vocal technique used by Schönberg amongst others. An interpretative guide is also provided in this chapter based on the author's own experience performing the works. The suggestions given explore the use of pedal, and treatment of rhythms, tempo and dynamics.! === A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music. === Summer Semester, 2012. === April 26, 2012. === Gareth Farr, Jack Body, Jenny McLeod, John Psathas, Landscape Preludes, New Zealand Piano Music === Includes bibliographical references. === Read Gainsford, Professor Directing Treatise; Evan Allan Jones, University Representative; Joel Hastings, Committee Member; Heidi Louise Williams, Committee Member.