The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices

This dissertation examines the intersecting space between word and image that characterizes the photographic essay as a distinct medium. To illustrate the power negotiations that occur in the interstices of word and image, this dissertation applies art critic Elizabeth McCausland's 1943 theory...

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Other Authors: Watson, Keri W. (authoraut)
Format: Others
Language:English
English
Published: Florida State University
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Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-4660
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1827322020-06-13T03:08:51Z The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices Watson, Keri W. (authoraut) Neuman, Robert (professor directing dissertation) Roberts, Diane (university representative) Weingarden, Lauren (committee member) Jolles, Adam (committee member) Department of Art History (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf This dissertation examines the intersecting space between word and image that characterizes the photographic essay as a distinct medium. To illustrate the power negotiations that occur in the interstices of word and image, this dissertation applies art critic Elizabeth McCausland's 1943 theory of the genre to four Depression-era photographic essays concerned with African-American life: Eudora Welty's "Black Saturday," Julia Peterkin and Doris Ulmann's Roll, Jordan, Roll (1933); Erskine Caldwell and Margaret Bourke-White's You Have Seen Their Faces (1937); and Richard Wright and Edwin Rosskam's 12 Million Black Voices (1941). By examining these photo-texts created and published during the interwar years, I hope to parse the medium-specificity of both the genre's constitutive parts (the photograph and the text) while also respecting the hybrid form (one marked by struggle rather than equality) that their combination creates. Investigation of these photographic essays within this theoretical framework and in the context of 1930s publishing practices illustrates the power of the photographic essay to construct racial identities and broadens the critical understanding of the compelling yet confusing genre that is the photographic essay. A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Summer Semester, 2010. April 26, 2010. Word and Image, Eudora Welty, Documentary Photography, Photographic Essay, Great Depression, Richard Wright, Edwin Rosskam, Erskine Caldwell, Julia Peterkin, Doris Ulmann, Margaret Bourke-White Includes bibliographical references. Robert Neuman, Professor Directing Dissertation; Diane Roberts, University Representative; Lauren Weingarden, Committee Member; Adam Jolles, Committee Member. Art--History Architecture--History Archaeology--History FSU_migr_etd-4660 http://purl.flvc.org/fsu/fd/FSU_migr_etd-4660 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A182732/datastream/TN/view/Photographic%20Essay%20as%20Index%20of%20African-American%20Identity%20in%20the%20Interwar%20Years.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic Art--History
Architecture--History
Archaeology--History
spellingShingle Art--History
Architecture--History
Archaeology--History
The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
description This dissertation examines the intersecting space between word and image that characterizes the photographic essay as a distinct medium. To illustrate the power negotiations that occur in the interstices of word and image, this dissertation applies art critic Elizabeth McCausland's 1943 theory of the genre to four Depression-era photographic essays concerned with African-American life: Eudora Welty's "Black Saturday," Julia Peterkin and Doris Ulmann's Roll, Jordan, Roll (1933); Erskine Caldwell and Margaret Bourke-White's You Have Seen Their Faces (1937); and Richard Wright and Edwin Rosskam's 12 Million Black Voices (1941). By examining these photo-texts created and published during the interwar years, I hope to parse the medium-specificity of both the genre's constitutive parts (the photograph and the text) while also respecting the hybrid form (one marked by struggle rather than equality) that their combination creates. Investigation of these photographic essays within this theoretical framework and in the context of 1930s publishing practices illustrates the power of the photographic essay to construct racial identities and broadens the critical understanding of the compelling yet confusing genre that is the photographic essay. === A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy. === Summer Semester, 2010. === April 26, 2010. === Word and Image, Eudora Welty, Documentary Photography, Photographic Essay, Great Depression, Richard Wright, Edwin Rosskam, Erskine Caldwell, Julia Peterkin, Doris Ulmann, Margaret Bourke-White === Includes bibliographical references. === Robert Neuman, Professor Directing Dissertation; Diane Roberts, University Representative; Lauren Weingarden, Committee Member; Adam Jolles, Committee Member.
author2 Watson, Keri W. (authoraut)
author_facet Watson, Keri W. (authoraut)
title The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
title_short The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
title_full The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
title_fullStr The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
title_full_unstemmed The Photographic Essay as Index of African-American Identity in the Interwar Years: "Black Saturday," Roll, Jordan, Roll, You Have Seen Their Faces, and 12 Million Black Voices
title_sort photographic essay as index of african-american identity in the interwar years: "black saturday," roll, jordan, roll, you have seen their faces, and 12 million black voices
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-4660
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