The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings

My thesis seeks to examine three painting cycles by Cy Twombly (b. 1928)—The Roses and Untitled (Roses) of 2008 and Untitled (Peony Blossom Paintings) of 2007—as sites of memory. Each series consists of large-scale wood panels upon which painted flower forms co-exist with handwritten lines of poetry...

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Other Authors: McCullough, Justine Marie (authoraut)
Format: Others
Language:English
English
Published: Florida State University
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Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-2590
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1808642020-06-09T03:08:44Z The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings McCullough, Justine Marie (authoraut) Weingarden, Lauren S. (professor directing thesis) Nasgaard, Roald (committee member) Jolles, Adam (committee member) Department of Art History (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf My thesis seeks to examine three painting cycles by Cy Twombly (b. 1928)—The Roses and Untitled (Roses) of 2008 and Untitled (Peony Blossom Paintings) of 2007—as sites of memory. Each series consists of large-scale wood panels upon which painted flower forms co-exist with handwritten lines of poetry appropriated from stanzas penned by various Western poets as well as Japanese haikus. Scholarship dedicated to these paintings mostly ignores the textual components, which, as I argue, contain significant parallels to the painted elements. The poems and haikus provide additional layers of meaning to each work, compelling viewers to make multiple connections and simultaneous associations in a manner that is similar to the construction of memory. I begin by surveying Twombly's writing practice and presenting theories that validate how forms of writing construct cultural memory. Twombly has marked his canvases with written symbols since the early 1950s, but in later years, as evidenced by Roses and Peony Blossom Paintings, the artist's word evocations have become more cohesive, and now include entire lines of handwritten poetry. Next I utilize secondary literary sources to scrutinize the poems and haikus in order to suggest a more nuanced understanding of these paintings. Throughout the course of my textual discussion I connect the poetic forms to the layered painted representations. The visual parallels between the words and images, and the spatial dimensions among the two, evoke a shifting sense of meaning in the same way that memory is constructed. A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts. Spring Semester, 2011. April 4, 2011. the nation Includes bibliographical references. Lauren S. Weingarden, Professor Directing Thesis; Roald Nasgaard, Committee Member; Adam Jolles, Committee Member. Art--History Architecture--History Archaeology--History FSU_migr_etd-2590 http://purl.flvc.org/fsu/fd/FSU_migr_etd-2590 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A180864/datastream/TN/view/Poetics%20of%20Memory.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic Art--History
Architecture--History
Archaeology--History
spellingShingle Art--History
Architecture--History
Archaeology--History
The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
description My thesis seeks to examine three painting cycles by Cy Twombly (b. 1928)—The Roses and Untitled (Roses) of 2008 and Untitled (Peony Blossom Paintings) of 2007—as sites of memory. Each series consists of large-scale wood panels upon which painted flower forms co-exist with handwritten lines of poetry appropriated from stanzas penned by various Western poets as well as Japanese haikus. Scholarship dedicated to these paintings mostly ignores the textual components, which, as I argue, contain significant parallels to the painted elements. The poems and haikus provide additional layers of meaning to each work, compelling viewers to make multiple connections and simultaneous associations in a manner that is similar to the construction of memory. I begin by surveying Twombly's writing practice and presenting theories that validate how forms of writing construct cultural memory. Twombly has marked his canvases with written symbols since the early 1950s, but in later years, as evidenced by Roses and Peony Blossom Paintings, the artist's word evocations have become more cohesive, and now include entire lines of handwritten poetry. Next I utilize secondary literary sources to scrutinize the poems and haikus in order to suggest a more nuanced understanding of these paintings. Throughout the course of my textual discussion I connect the poetic forms to the layered painted representations. The visual parallels between the words and images, and the spatial dimensions among the two, evoke a shifting sense of meaning in the same way that memory is constructed. === A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts. === Spring Semester, 2011. === April 4, 2011. === the nation === Includes bibliographical references. === Lauren S. Weingarden, Professor Directing Thesis; Roald Nasgaard, Committee Member; Adam Jolles, Committee Member.
author2 McCullough, Justine Marie (authoraut)
author_facet McCullough, Justine Marie (authoraut)
title The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
title_short The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
title_full The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
title_fullStr The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
title_full_unstemmed The Poetics of Memory: Cy Twombly's Roses and Peony Blossom Paintings
title_sort poetics of memory: cy twombly's roses and peony blossom paintings
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-2590
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