A String Player's Guide to Improvisation in Western Art Music

The purpose of this treatise is to assemble a performer's guide to the subject of baroque ornamentation and free improvisation, the cadenza in the classical concerto, and the aleatoric, indeterminate and improvisatory music of the late twentieth century, for players of bowed string instruments....

Full description

Bibliographic Details
Other Authors: Rush, Philip Eugene (authoraut)
Format: Others
Language:English
English
Published: Florida State University
Subjects:
Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-1939
id ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_176406
record_format oai_dc
spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1764062020-06-09T03:08:24Z A String Player's Guide to Improvisation in Western Art Music Rush, Philip Eugene (authoraut) Ryan, Pamela (professor directing treatise) Bridger, Carolyn Ann (outside committee member) Jiménez, Alexander (committee member) Georgiev, Lubomir (committee member) College of Music (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf The purpose of this treatise is to assemble a performer's guide to the subject of baroque ornamentation and free improvisation, the cadenza in the classical concerto, and the aleatoric, indeterminate and improvisatory music of the late twentieth century, for players of bowed string instruments. The result is a handbook illustrating the basic techniques of improvisation in the above genres. Primary sources were drawn from treatises and from the repertoire, in addition to contemporary books, articles and scholarly editions, and were selected in order to represent a summary of the practice of improvisation with an emphasis on those concepts that can be most readily applied by performers. The first chapter examines ornamentation and improvisation in the Baroque Era, roughly defined as the period extending from c. 1600-1750. Following the introduction, the primary ornaments and their applications are discussed using examples derived from both didactic and performance sources. A brief survey of the freer techniques of improvisation encountered in the so-called "Italian Adagio" follows. The second chapter examines the cadenza and other improvised cadential embellishments that persisted in the Classical Era, c. 1770-1830. The third chapter discusses the twentieth century phenomena of free improvisation, indeterminacy and the role of the performer in the realization of unconventional scores. The art of improvisation has played a vital role in the development of western art music, and this treatise is intended as both an introduction and a practical guide to the subject, in the hope of encouraging further experimentation and investigation. A Treatise Submitted to the School of Music in Partial Fulfillment of the Requirements for the Degree of Doctor of Music. Fall Semester, 2004. October 22, 2004. Improvisation, String Playing Includes bibliographical references. Pamela Ryan, Professor Directing Treatise; Carolyn Ann Bridger, Outside Committee Member; Alexander Jiménez, Committee Member; Lubomir Georgiev, Committee Member. Music FSU_migr_etd-1939 http://purl.flvc.org/fsu/fd/FSU_migr_etd-1939 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A176406/datastream/TN/view/String%20Player%27s%20Guide%20to%20Improvisation%20in%20Western%20Art%20Music.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic Music
spellingShingle Music
A String Player's Guide to Improvisation in Western Art Music
description The purpose of this treatise is to assemble a performer's guide to the subject of baroque ornamentation and free improvisation, the cadenza in the classical concerto, and the aleatoric, indeterminate and improvisatory music of the late twentieth century, for players of bowed string instruments. The result is a handbook illustrating the basic techniques of improvisation in the above genres. Primary sources were drawn from treatises and from the repertoire, in addition to contemporary books, articles and scholarly editions, and were selected in order to represent a summary of the practice of improvisation with an emphasis on those concepts that can be most readily applied by performers. The first chapter examines ornamentation and improvisation in the Baroque Era, roughly defined as the period extending from c. 1600-1750. Following the introduction, the primary ornaments and their applications are discussed using examples derived from both didactic and performance sources. A brief survey of the freer techniques of improvisation encountered in the so-called "Italian Adagio" follows. The second chapter examines the cadenza and other improvised cadential embellishments that persisted in the Classical Era, c. 1770-1830. The third chapter discusses the twentieth century phenomena of free improvisation, indeterminacy and the role of the performer in the realization of unconventional scores. The art of improvisation has played a vital role in the development of western art music, and this treatise is intended as both an introduction and a practical guide to the subject, in the hope of encouraging further experimentation and investigation. === A Treatise Submitted to the School of Music in Partial Fulfillment of the Requirements for the Degree of Doctor of Music. === Fall Semester, 2004. === October 22, 2004. === Improvisation, String Playing === Includes bibliographical references. === Pamela Ryan, Professor Directing Treatise; Carolyn Ann Bridger, Outside Committee Member; Alexander Jiménez, Committee Member; Lubomir Georgiev, Committee Member.
author2 Rush, Philip Eugene (authoraut)
author_facet Rush, Philip Eugene (authoraut)
title A String Player's Guide to Improvisation in Western Art Music
title_short A String Player's Guide to Improvisation in Western Art Music
title_full A String Player's Guide to Improvisation in Western Art Music
title_fullStr A String Player's Guide to Improvisation in Western Art Music
title_full_unstemmed A String Player's Guide to Improvisation in Western Art Music
title_sort string player's guide to improvisation in western art music
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-1939
_version_ 1719318084223762432