Centered Fluidity and the Horizons of Continuity in Djuna Barnes' Nightwood
Modern writers like Djuna Barnes allow for the post-modern fluidity and explosion of sex and gender without finalizing either in a fixed form. Whereas the classical, archetypal androgyne is made up of two halves, one man and one woman; the deconstructed androgynous figure is not constituted of oppos...
Main Author: | Sepulveda, Maria C |
---|---|
Format: | Others |
Published: |
FIU Digital Commons
2012
|
Subjects: | |
Online Access: | http://digitalcommons.fiu.edu/etd/746 http://digitalcommons.fiu.edu/cgi/viewcontent.cgi?article=1856&context=etd |
Similar Items
-
My history, finally invented : Djuna Barnes’s Nightwood and its readers
by: Wallace, Laura Knowles
Published: (2013) -
Spectacular Shadows: Djuna Barnes's Styles of Estrangement in Nightwood
by: Bellman, Erica Nicole
Published: (2012) -
Convex Children: The Queer Child and Development in Nightwood and the Member of the Wedding
by: Sharp, Kellie Jean
Published: (2010) -
Djuna Barnes’s Nightwood and Transgender Epistemologies in the Biopolitcal State
by: Gruenewald, Aleta Frances
Published: (2015) -
Writing technologies of the body in the work of Djuna Barnes and Gertrude Stein
by: Ragkousi, Ioanna
Published: (2017)