The myth of Chinese "sixth generation" cinema and its subversiveness.

• Other Authors: Tam, Wai Fung.
• Format: Others
• Language: English; Chinese
• Published: 2008
• Subjects: Independent filmmakers; Independent filmmakers > China; Motion picture producers and directors; Motion picture producers and directors > China; Motion pictures; Motion pictures > China > Reviews
• Online Access: http://library.cuhk.edu.hk/record=b5896828; http://repository.lib.cuhk.edu.hk/en/item/cuhk-326292

Tam, Wai Fung. === Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. === Filmography: p. 133-136. === Includes bibliographical references (leaves 123-129). === Abstracts in English and Chinese. === Acknowledgements --- p.iii === Abstract --- p.iv-vi === Table of Contents --- p.vi-viii === Introduction --- p.1 === Chapter Chapter 1: --- Background´ؤMembership of the Chinese “Sixth Generation´ح Directors --- p.7-23 === Chapter -- --- The Early Stage of the “Sixth Generation´ح Cinema --- p.7 === Chapter -- --- Current Commercial Turn among the “Sixth Generation´ح Directors --- p.14 === Chapter Chapter 2: --- Discourses on Chinese “Sixth Generation´ح Cinema --- p.24-61 === Chapter -- --- Analytical Framework --- p.24 === Chapter -- --- Scholastic Discourse on “Sixth Generation´ح Cinema --- p.27 === Chapter -- --- The Differences between Western Political Interpretations and the Chinese Populist Discourse on “Sixth Generation´ح Cinema --- p.35 === Chapter -- --- The Western Discourse´ؤA Liberal Political Definition --- p.36 === Chapter -- --- Chinese Populist Discourse on “Sixth Generation´ح Cinema --- p.43 === Chapter -- --- New Bom Generation --- p.52 === Chapter -- --- Independent Filmmaking´ؤDirectors' Views on the Naming of “Sixth Generation´ح --- p.55 === Chapter Chapter 3: --- "The Interrelationship between the Filmmakers, Discourses and Social Context" --- p.62-86 === Chapter -- --- Evaluations on the Discourses of “Sixth Generation´ح --- p.62 === Chapter -- --- The Dominant Features of the “Sixth Generation´ح Cinema --- p.65 === Chapter -- --- Relationship between the “Sixth Generation´ح Cinema and Chinese Socio-political Context --- p.70 === Chapter -- --- How “Independent´ح the “Sixth Generation´ح Filmmakers are? --- p.82 === Chapter Chapter 4: --- Examining the Subversive Functions of the Naming of “Sixth Generation´ح --- p.86-114 === Chapter -- --- Political Subjectivity of the “Sixth Generation´ح Directors and its Relation with the Event --- p.86 === Chapter -- --- The Split Subject of the “Sixth Generation´ح Directors --- p.97 === Conclusion --- p.115-122 === Bibliography --- p.123-132 === Filmogarphy --- p.133-136