Space, body and power/play: a case study of Hong Kong Cultural Center.

• Other Authors: Zhou, Peixia.
• Format: Others
• Language: English; Chinese
• Published: 2004
• Subjects: Hong Kong Cultural Center.
• Online Access: http://library.cuhk.edu.hk/record=b5892163; http://repository.lib.cuhk.edu.hk/en/item/cuhk-324747

Chow Pui-ha. === Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. === Includes bibliographical references (leaves 213-219). === Abstracts in English and Chinese. === Prologue --- p.1-3 === Chapter Ch. 1 --- "Theorizing Space, Body,ower andlay" --- p.4 === Chapter I. --- The Interrelations of Space and Body --- p.5-13 === Chapter II. --- Theower oflay and Leisure --- p.13-19 === Chapter III. --- Leisure in Modernity --- p.19-21 === Chapter IV. --- Researchroblematic: Leisure andowerlay --- p.21-22 === Chapter Ch. 2 --- Operationalisation --- p.23 === Chapter I. --- The Site of Study: Hong Kong Cultural Centre --- p.24-30 === Chapter II. --- Institutionalower at Cultural Centre --- p.30-33 === Chapter III --- Theoretical Framework --- p.34-38 === Chapter IV --- Research Questions --- p.39-41 === Chapter V. --- Methodology --- p.41-46 === Chapter VI. --- Research Implications --- p.46-48 === Chapter Ch. 3 --- hallocratic Bodyspace --- p.49 === Chapter I. --- The Representational Spaces: Aublic Toilet or a Culturalalace? --- p.50-61 === Chapter II. --- Spatialractices:erforming Arts/erformative Culture --- p.62-70 === Chapter III --- Performative Leisure and Disenchanted body --- p.71-78 === Chapter IV. --- olitical Economy of the Body andolitical Economy of Music --- p.78-80 === Chapter V. --- Enchanted Body in the Center?. --- p.81 -83 === Chapter VI. --- The Representation of Space: Elitist Discourse --- p.84-87 === Chapter VII. --- Thehallocartic Bodyspace of the Elitist Culturalalace --- p.87-91 === Chapter CH. 4 --- Embryonic Bodyspace --- p.92 === Chapter I. --- Representational Space: the Garden and the Open Theatre --- p.93-97 === Chapter II. --- Spatialractices: Compositionalerformances --- p.98-109 === Chapter III. --- Re-created Body and Leisure Societies --- p.109-121 === Chapter IV. --- Embryonic Bodyspace --- p.122-126 === Chapter V. --- The Representation of Space: the Repression of Revolution --- p.126-129 === Chapter VI. --- Institutionalised Embryonic Bodyspace --- p.129-136 === Chapter CH. 5 --- Contested Bodyspace --- p.137 === Chapter I. --- Sectioned Lifeworlds --- p.138-141 === Chapter II. --- Civility as the Logic of Centrality --- p.141-149 === Chapter III. --- Dialectic of Order and Disorder and the Logic of Civility --- p.149-153 === Chapter IV. --- ower atlay --- p.153-155 === Chapter CH. 6 --- Body-City and City Spectacle --- p.156 === Chapter I. --- The Logic of Civility and City Imaginary --- p.157-159 === Chapter II. --- Spectacularization of City --- p.159-162 === Chapter III. --- Event Capital and Hong Kong Identity --- p.163-173 === Chapter IV. --- Mainland Tourists as the City Spectacle of Hong Kong --- p.173-181 === Chapter V. --- "City spectacle, Spatial Order andower Negotiation" --- p.181-184 === Chapter CH. 7 --- Conclusion:olitics oflay on Body-City --- p.185 === Chapter I. --- lay as Tactic --- p.186-187 === Chapter II. --- hallocratic and Embryonic Bodyspaces --- p.188-190 === Chapter III. --- Leisure Relations --- p.190-191 === Chapter IV. --- Creative City and City Citizenshi --- p.191 -200 === Chapter VI. --- lay as Lifeolitics --- p.200-207 === Chapter VII. --- Conclusion --- p.207-208 === Appendix 1: Renowned artists and groupsresented in HK Cultural Centre --- p.209-210 === Appendix 2: The Meaning of the Eighteen Buildings Presented in a Symphony of Lights --- p.211-212 === Bibliography --- p.213-219