Phonetics-based Techniques in My Compositional Methodology, and Two Compositions: ŠÀ {karāz} for large ensemble and eschaton according to bēl-rē’u-šu for percussion trio
This dissertation explores various ways of working with acoustic analyses of speech in music composition. The first chapter presents an overview of whistled languages and discusses their potential to act as blueprints for optimizing phonetic data for compositional use. The second chapter details my...
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| Language: | English |
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2021
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| Online Access: | https://doi.org/10.7916/d8-d8j3-py62 |