Extraordinary Objects, Exceptional Subjects: Magic(al) Realism, Multivocality, and the Margins of Experience in the Works of Tom Robbins.
Through a critical examination of the works of Tom Robbins, this thesis interrogates the historical evolution and appropriation of the magic(al) realist tradition. In so doing, it situates Robbins’ writing within the framework of postmodernism, and explores the ontological implications inherent in R...
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| Language: | en |
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University of Canterbury. Humanities
2015
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| Online Access: | http://hdl.handle.net/10092/10816 |