A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore
At the end of World War II, doctors trained in the western bio-medical tradition integrated music into their practice as a means of helping soldiers recover, both mentally and physically, from the atrocities experienced while overseas. For many, music was a solace, opening up the peaceful memories o...
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1999
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ndltd-butler.edu-oai-digitalcommons.butler.edu-grtheses-12522015-07-29T03:38:09Z A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore Thorne, Stephanie B. At the end of World War II, doctors trained in the western bio-medical tradition integrated music into their practice as a means of helping soldiers recover, both mentally and physically, from the atrocities experienced while overseas. For many, music was a solace, opening up the peaceful memories of home and family and pushing aside the war-torn landscapes. By establishing interpersonal relationships between the therapist and the patient, as well as patient-to-patient in group settings, music enabled feelings and emotions to flow freely. The mind was given a structured pattern to bridge the gap of the psychological and physiological experience. It was then that music therapy was introduced into the western practices of biological medicine 1999-05-01T07:00:00Z text application/pdf http://digitalcommons.butler.edu/grtheses/253 http://digitalcommons.butler.edu/cgi/viewcontent.cgi?article=1252&context=grtheses Graduate Thesis Collection Digital Commons @ Butler University Anthropology Music |
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Others
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Anthropology Music |
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Anthropology Music Thorne, Stephanie B. A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
description |
At the end of World War II, doctors trained in the western bio-medical tradition integrated music into their practice as a means of helping soldiers recover, both mentally and physically, from the atrocities experienced while overseas. For many, music was a solace, opening up the peaceful memories of home and family and pushing aside the war-torn landscapes. By establishing interpersonal relationships between the therapist and the patient, as well as patient-to-patient in group settings, music enabled feelings and emotions to flow freely. The mind was given a structured pattern to bridge the gap of the psychological and physiological experience. It was then that music therapy was introduced into the western practices of biological medicine |
author |
Thorne, Stephanie B. |
author_facet |
Thorne, Stephanie B. |
author_sort |
Thorne, Stephanie B. |
title |
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
title_short |
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
title_full |
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
title_fullStr |
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
title_full_unstemmed |
A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore |
title_sort |
cultural view of music therapy: music and beliefs of teton sioux shamans, with reference to the work of frances densmore |
publisher |
Digital Commons @ Butler University |
publishDate |
1999 |
url |
http://digitalcommons.butler.edu/grtheses/253 http://digitalcommons.butler.edu/cgi/viewcontent.cgi?article=1252&context=grtheses |
work_keys_str_mv |
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_version_ |
1716809733070913536 |