A Lacanian perspective on selections from into the woods
This thesis examines selections from Stephen Sondheim and James Lapine’s Into the Woods. It begins with an investigation of meaning (both musical and not) and Lacanian psychoanalysis, before moving on to analyses of four songs from the musical: “I Know Things Now”; “Any Moment (Part I)”; “Any Moment...
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| Language: | en_US |
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2018
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| Online Access: | https://hdl.handle.net/2144/30648 |