Concerto no. 1 in G major, for piano and orchestra

Thesis (D.M.A.)--Boston University === The concerto is in three movements. The first, in G major is an Allegretto; the second, in D minor is marked Andante; and the third, in G major is a brisk Allegro. There is frequent use of modal scales throughout the course of this composition, particularly the...

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Main Author:	Gold, Morton
Language:	en_US
Published:	Boston University 2017
Subjects:	Concerto Orchestra Mixolydian mode
Online Access:	https://hdl.handle.net/2144/23916

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spelling	ndltd-bu.edu-oai-open.bu.edu-2144-239162019-01-08T15:42:36Z Concerto no. 1 in G major, for piano and orchestra Gold, Morton Concerto Orchestra Mixolydian mode Thesis (D.M.A.)--Boston University The concerto is in three movements. The first, in G major is an Allegretto; the second, in D minor is marked Andante; and the third, in G major is a brisk Allegro. There is frequent use of modal scales throughout the course of this composition, particularly the Mixolydian mode. The concerto, however, may be regarded as being bi-modal--that is, either major or minor with much use of borrowed triads, altered triads, added notes, as well as poly-chords and simple diatonic harmony 2017-09-23T01:59:33Z 2017-09-23T01:59:33Z 1960 1960 Thesis/Dissertation b24793498 https://hdl.handle.net/2144/23916 en_US Based on investigation of the BU Libraries' staff, this work is free of known copyright restrictions. Boston University
collection	NDLTD
language	en_US
sources	NDLTD
topic	Concerto Orchestra Mixolydian mode
spellingShingle	Concerto Orchestra Mixolydian mode Gold, Morton Concerto no. 1 in G major, for piano and orchestra
description	Thesis (D.M.A.)--Boston University === The concerto is in three movements. The first, in G major is an Allegretto; the second, in D minor is marked Andante; and the third, in G major is a brisk Allegro. There is frequent use of modal scales throughout the course of this composition, particularly the Mixolydian mode. The concerto, however, may be regarded as being bi-modal--that is, either major or minor with much use of borrowed triads, altered triads, added notes, as well as poly-chords and simple diatonic harmony
author	Gold, Morton
author_facet	Gold, Morton
author_sort	Gold, Morton
title	Concerto no. 1 in G major, for piano and orchestra
title_short	Concerto no. 1 in G major, for piano and orchestra
title_full	Concerto no. 1 in G major, for piano and orchestra
title_fullStr	Concerto no. 1 in G major, for piano and orchestra
title_full_unstemmed	Concerto no. 1 in G major, for piano and orchestra
title_sort	concerto no. 1 in g major, for piano and orchestra
publisher	Boston University
publishDate	2017
url	https://hdl.handle.net/2144/23916
work_keys_str_mv	AT goldmorton concertono1ingmajorforpianoandorchestra
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Concerto no. 1 in G major, for piano and orchestra

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