One Dollar Mandala - for string quartet
One Dollar Mandala is a string quartet in five movements. Each of the movements can function separately as a short piece and together they create a cyclical form that takes a little over half an hour in performance. The first movement, in its playful persistence pays homage to Gyorgi Kurtag's s...
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ndltd-bu.edu-oai-open.bu.edu-2144-157122019-03-15T03:22:31Z One Dollar Mandala - for string quartet Iwanek, Igor Jonasz Music Score String quartet One Dollar Mandala is a string quartet in five movements. Each of the movements can function separately as a short piece and together they create a cyclical form that takes a little over half an hour in performance. The first movement, in its playful persistence pays homage to Gyorgi Kurtag's string quartet op.1. The second movement - under a working title "chorale" - alludes to rich harmonies of Bach and Scriabin that I can't stop admiring. The third movement, in rehearsals referred to as "mazurek" is a return to my roots of Polish folk dances and shows my admiration for Szymanowski's brilliant Mazurki op.50 for the piano. The fourth movement is a fragilite, a poem harking back to the sensual aspect of Scriabin's music. The final movement is a moto perpetuo exploring my fascination for the South Indian classical drumming tradition. 2016-04-14T17:49:53Z 2016-04-14T17:49:53Z 2015 2016-04-08T20:09:59Z Thesis/Dissertation https://hdl.handle.net/2144/15712 en_US |
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en_US |
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NDLTD |
topic |
Music Score String quartet |
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Music Score String quartet Iwanek, Igor Jonasz One Dollar Mandala - for string quartet |
description |
One Dollar Mandala is a string quartet in five movements. Each of the movements can function separately as a short piece and together they create a cyclical form that takes a little over half an hour in performance. The first movement, in its playful persistence pays homage to Gyorgi Kurtag's string quartet op.1. The second movement - under a working title "chorale" - alludes to rich harmonies of Bach and Scriabin that I can't stop admiring. The third movement, in rehearsals referred to as "mazurek" is a return to my roots of Polish folk dances and shows my admiration for Szymanowski's brilliant Mazurki op.50 for the piano. The fourth movement is a fragilite, a poem harking back to the sensual aspect of Scriabin's music. The final movement is a moto perpetuo exploring my fascination for the South Indian classical drumming tradition. |
author |
Iwanek, Igor Jonasz |
author_facet |
Iwanek, Igor Jonasz |
author_sort |
Iwanek, Igor Jonasz |
title |
One Dollar Mandala - for string quartet |
title_short |
One Dollar Mandala - for string quartet |
title_full |
One Dollar Mandala - for string quartet |
title_fullStr |
One Dollar Mandala - for string quartet |
title_full_unstemmed |
One Dollar Mandala - for string quartet |
title_sort |
one dollar mandala - for string quartet |
publishDate |
2016 |
url |
https://hdl.handle.net/2144/15712 |
work_keys_str_mv |
AT iwanekigorjonasz onedollarmandalaforstringquartet |
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1719003400514830336 |