Identity paradoxes : the self and others in the literature of Aldous Huxley

This dissertation is a study of the literature of Aldous Huxley, especially his fiction, with a particular focus on the issue of identity. By observing his representations of the self and Others, and by elucidating his attitude towards political and cultural problems pertaining to identity, I aim to...

Full description

Bibliographic Details
Main Author: Ozawa, Hisashi
Other Authors: Das, Santanu ; Saunders, Max William Mill
Published: King's College London (University of London) 2016
Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.762311
id ndltd-bl.uk-oai-ethos.bl.uk-762311
record_format oai_dc
spelling ndltd-bl.uk-oai-ethos.bl.uk-7623112019-02-12T03:25:13ZIdentity paradoxes : the self and others in the literature of Aldous HuxleyOzawa, HisashiDas, Santanu ; Saunders, Max William Mill2016This dissertation is a study of the literature of Aldous Huxley, especially his fiction, with a particular focus on the issue of identity. By observing his representations of the self and Others, and by elucidating his attitude towards political and cultural problems pertaining to identity, I aim to reveal significant aspects of this topic, which have not been fully recognized in recent research on his work. Each chapter offers close readings of his texts biographically, historically and theoretically. Chapter I, “Self,” sheds light on Huxley’s early writing on the Great War, particularly the “Farcical History of Richard Greenow,” disclosing his insights into the mind, which are then compared with psychoanalytic discourses on human aggression. Chapter II, “Woman,” focuses on Point Counter Point and analyses female characters while considering the actual women around the author as well as gender criticism of the maternal and the feminine. Chapter III, “Savage,” examines Brave New World by contextualizing the Savage Reservation and the hero Savage with their possible sources in anthropology in order to align the text with postcolonial concerns. Chapter IV, “Mass,” delves into how Huxley deepened his Utopian ideas in his later career, and investigates specifically Eyeless in Gaza and Island in relation to Marxist discussions of Utopia and totality. With his sensitivity and imagination, the novelist Aldous Huxley consistently questioned the concept of identity in ways that might now seem postmodernist. However, his fear that loss of identity would lead to loss of meaning in life, history and the world prompted him to seek a paradoxical form of identity that was not fixed or exclusive, and that was based on his scientific and religious belief in the changing and hybrid “unity,” existing behind all animate and inanimate beings.King's College London (University of London)https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.762311https://kclpure.kcl.ac.uk/portal/en/theses/identity-paradoxes(22aacf42-ff55-4d71-98f9-925d3f0d8fd0).htmlElectronic Thesis or Dissertation
collection NDLTD
sources NDLTD
description This dissertation is a study of the literature of Aldous Huxley, especially his fiction, with a particular focus on the issue of identity. By observing his representations of the self and Others, and by elucidating his attitude towards political and cultural problems pertaining to identity, I aim to reveal significant aspects of this topic, which have not been fully recognized in recent research on his work. Each chapter offers close readings of his texts biographically, historically and theoretically. Chapter I, “Self,” sheds light on Huxley’s early writing on the Great War, particularly the “Farcical History of Richard Greenow,” disclosing his insights into the mind, which are then compared with psychoanalytic discourses on human aggression. Chapter II, “Woman,” focuses on Point Counter Point and analyses female characters while considering the actual women around the author as well as gender criticism of the maternal and the feminine. Chapter III, “Savage,” examines Brave New World by contextualizing the Savage Reservation and the hero Savage with their possible sources in anthropology in order to align the text with postcolonial concerns. Chapter IV, “Mass,” delves into how Huxley deepened his Utopian ideas in his later career, and investigates specifically Eyeless in Gaza and Island in relation to Marxist discussions of Utopia and totality. With his sensitivity and imagination, the novelist Aldous Huxley consistently questioned the concept of identity in ways that might now seem postmodernist. However, his fear that loss of identity would lead to loss of meaning in life, history and the world prompted him to seek a paradoxical form of identity that was not fixed or exclusive, and that was based on his scientific and religious belief in the changing and hybrid “unity,” existing behind all animate and inanimate beings.
author2 Das, Santanu ; Saunders, Max William Mill
author_facet Das, Santanu ; Saunders, Max William Mill
Ozawa, Hisashi
author Ozawa, Hisashi
spellingShingle Ozawa, Hisashi
Identity paradoxes : the self and others in the literature of Aldous Huxley
author_sort Ozawa, Hisashi
title Identity paradoxes : the self and others in the literature of Aldous Huxley
title_short Identity paradoxes : the self and others in the literature of Aldous Huxley
title_full Identity paradoxes : the self and others in the literature of Aldous Huxley
title_fullStr Identity paradoxes : the self and others in the literature of Aldous Huxley
title_full_unstemmed Identity paradoxes : the self and others in the literature of Aldous Huxley
title_sort identity paradoxes : the self and others in the literature of aldous huxley
publisher King's College London (University of London)
publishDate 2016
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.762311
work_keys_str_mv AT ozawahisashi identityparadoxestheselfandothersintheliteratureofaldoushuxley
_version_ 1718975416207671296