The sociolinguistic construction of character diversity in fictional television series

This thesis investigates the language used in six fictional television series (1997 – 2014). The overall aim is to find out how linguistic patterns contribute to distinguishing features of characters and character groups. Throughout the thesis, I answer three overarching questions: 1.How are individ...

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Main Author: Reichelt, Susan
Published: Cardiff University 2018
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Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.761292
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spelling ndltd-bl.uk-oai-ethos.bl.uk-7612922019-02-12T03:27:45ZThe sociolinguistic construction of character diversity in fictional television seriesReichelt, Susan2018This thesis investigates the language used in six fictional television series (1997 – 2014). The overall aim is to find out how linguistic patterns contribute to distinguishing features of characters and character groups. Throughout the thesis, I answer three overarching questions: 1.How are individual linguistic variables used for purposes of characterization? 2.How do linguistic variables interact to create linguistic character styles? 3.Are characterization patterns used in similar ways across characters within individual series, as well as across series? The thesis presents an interdisciplinary study of sociolinguistically meaningful stylization and produces a useful account of the underused fictolinguistic approach that links concepts of variationist sociolinguistics with stylistics. Through quantitative analysis and informed by previous sociolinguistic findings on the uses of five pragmatic forms (pragmatic markers, hedges, general extenders, modal adverbs, and intensifiers), I trace how language variation and change ties in with the individualization of fictional characters. Findings suggest that linguistic patterns that link to character qualities are consistent across a variety of investigated features. Further, some features (e.g. pragmatic markers) appear to be used with greater variance than others (e.g. general extenders), suggesting that there are distinctions in terms of saliency and availability of characterization cues. Further findings show linguistic variation correlating to particular character types, series production and genre, and character background (in particular nationality). Linguistic change is investigated through apparent time analyses for all features, as well as a brief real time analysis for selected contexts. Throughout the thesis, I touch upon concepts of indexicality, saliency, and authenticity. Finally, the thesis concludes that the present study of fictional television dialogue adds to our understanding of current language use and linguistic perception and that more studies of this kind might further enhance our knowledge of the intrinsic relation between language and identity.PE EnglishCardiff Universityhttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.761292http://orca.cf.ac.uk/114837/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic PE English
spellingShingle PE English
Reichelt, Susan
The sociolinguistic construction of character diversity in fictional television series
description This thesis investigates the language used in six fictional television series (1997 – 2014). The overall aim is to find out how linguistic patterns contribute to distinguishing features of characters and character groups. Throughout the thesis, I answer three overarching questions: 1.How are individual linguistic variables used for purposes of characterization? 2.How do linguistic variables interact to create linguistic character styles? 3.Are characterization patterns used in similar ways across characters within individual series, as well as across series? The thesis presents an interdisciplinary study of sociolinguistically meaningful stylization and produces a useful account of the underused fictolinguistic approach that links concepts of variationist sociolinguistics with stylistics. Through quantitative analysis and informed by previous sociolinguistic findings on the uses of five pragmatic forms (pragmatic markers, hedges, general extenders, modal adverbs, and intensifiers), I trace how language variation and change ties in with the individualization of fictional characters. Findings suggest that linguistic patterns that link to character qualities are consistent across a variety of investigated features. Further, some features (e.g. pragmatic markers) appear to be used with greater variance than others (e.g. general extenders), suggesting that there are distinctions in terms of saliency and availability of characterization cues. Further findings show linguistic variation correlating to particular character types, series production and genre, and character background (in particular nationality). Linguistic change is investigated through apparent time analyses for all features, as well as a brief real time analysis for selected contexts. Throughout the thesis, I touch upon concepts of indexicality, saliency, and authenticity. Finally, the thesis concludes that the present study of fictional television dialogue adds to our understanding of current language use and linguistic perception and that more studies of this kind might further enhance our knowledge of the intrinsic relation between language and identity.
author Reichelt, Susan
author_facet Reichelt, Susan
author_sort Reichelt, Susan
title The sociolinguistic construction of character diversity in fictional television series
title_short The sociolinguistic construction of character diversity in fictional television series
title_full The sociolinguistic construction of character diversity in fictional television series
title_fullStr The sociolinguistic construction of character diversity in fictional television series
title_full_unstemmed The sociolinguistic construction of character diversity in fictional television series
title_sort sociolinguistic construction of character diversity in fictional television series
publisher Cardiff University
publishDate 2018
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.761292
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