Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal

This thesis focuses on puthi-pora, a Bengali tradition of book and manuscript reading. It pursues two central aims. The first is ethnographic: to document and describe puthi-pora as it is performed today in Sylhet, Bangladesh. The second is historical: to shed light on a historical mystery-how Islam...

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Main Author: Kane, David Michael
Published: SOAS, University of London 2008
Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758526
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spelling ndltd-bl.uk-oai-ethos.bl.uk-7585262018-12-11T03:20:11ZPuthi-Pora : 'melodic reading' and its use in the Islamisation of BengalKane, David Michael2008This thesis focuses on puthi-pora, a Bengali tradition of book and manuscript reading. It pursues two central aims. The first is ethnographic: to document and describe puthi-pora as it is performed today in Sylhet, Bangladesh. The second is historical: to shed light on a historical mystery-how Islam spread so rapidly and pervasively in Bengal from the sixteenth century. My hypothesis is that puthi-pora was used in this process. Cognitive schema theory is my overarching methodology. It has been applied in two ways. First, I use the schema concept to analyse a whole performance event, using, as primary data, the fieldnotes of two observers: mine as a cultural outsider, and those of my research assistant who is of Bengali descent. This provides a conceptual basis for describing the processes involved in constructing my ethnography, and generates a holistic and schematic framework of puthi-pora that is used for comparing the details of this, and other performance occasions. I also view each performance as a 'historical document', and consider, in the details of the emerging ethnography, what it is about puthi-pora that would have made it such a powerful vehicle for Islamisation. Second, I use the schema concept to analyse the two principal tune-types used in puthi-pora. This has resulted in the generation of a model for creating melodic schemas that demonstrates a way of representing the essence of a melody (and its variations) in a concise form, and illustrates the processes involved in their reconstruction. In conclusion, I present a new definition of puthi-pora and a prototypical description of the tradition as practised in Muslim Sylhet. I suggest that present-day performances can be used as historical documentation, as shown in the way that puthi-pora has shed light on the processes involved in the Islamisation of Bengal, thus, in part, helping to demystify the historical mystery.SOAS, University of Londonhttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758526http://eprints.soas.ac.uk/28917/Electronic Thesis or Dissertation
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description This thesis focuses on puthi-pora, a Bengali tradition of book and manuscript reading. It pursues two central aims. The first is ethnographic: to document and describe puthi-pora as it is performed today in Sylhet, Bangladesh. The second is historical: to shed light on a historical mystery-how Islam spread so rapidly and pervasively in Bengal from the sixteenth century. My hypothesis is that puthi-pora was used in this process. Cognitive schema theory is my overarching methodology. It has been applied in two ways. First, I use the schema concept to analyse a whole performance event, using, as primary data, the fieldnotes of two observers: mine as a cultural outsider, and those of my research assistant who is of Bengali descent. This provides a conceptual basis for describing the processes involved in constructing my ethnography, and generates a holistic and schematic framework of puthi-pora that is used for comparing the details of this, and other performance occasions. I also view each performance as a 'historical document', and consider, in the details of the emerging ethnography, what it is about puthi-pora that would have made it such a powerful vehicle for Islamisation. Second, I use the schema concept to analyse the two principal tune-types used in puthi-pora. This has resulted in the generation of a model for creating melodic schemas that demonstrates a way of representing the essence of a melody (and its variations) in a concise form, and illustrates the processes involved in their reconstruction. In conclusion, I present a new definition of puthi-pora and a prototypical description of the tradition as practised in Muslim Sylhet. I suggest that present-day performances can be used as historical documentation, as shown in the way that puthi-pora has shed light on the processes involved in the Islamisation of Bengal, thus, in part, helping to demystify the historical mystery.
author Kane, David Michael
spellingShingle Kane, David Michael
Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
author_facet Kane, David Michael
author_sort Kane, David Michael
title Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
title_short Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
title_full Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
title_fullStr Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
title_full_unstemmed Puthi-Pora : 'melodic reading' and its use in the Islamisation of Bengal
title_sort puthi-pora : 'melodic reading' and its use in the islamisation of bengal
publisher SOAS, University of London
publishDate 2008
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.758526
work_keys_str_mv AT kanedavidmichael puthiporamelodicreadinganditsuseintheislamisationofbengal
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