Restaging place : performativity and the camera : Parliament Square recast through social media photography
This practice-related study of a politically charged public place, Parliament Square, London is led by an examination of social media photographs that have been taken there and posted online. The photographs have been removed from the fast flow of social media, transposed to analogue film, slowed an...
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University College London (University of London)
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ndltd-bl.uk-oai-ethos.bl.uk-7563422019-02-05T03:19:34ZRestaging place : performativity and the camera : Parliament Square recast through social media photographyBrocklehurst, Judith2018This practice-related study of a politically charged public place, Parliament Square, London is led by an examination of social media photographs that have been taken there and posted online. The photographs have been removed from the fast flow of social media, transposed to analogue film, slowed and analyzed. During this physical process four social activities emerge: tourism, protest, state occasion and the everyday. An investigation into each of these areas is instigated by a close examination of one related photograph. This investigation occurs theoretically and in the realm of performative sculptural, photographic and film practice. As well as being a study of the actual place, the Square offers a public location from which to reflexively examine its virtual equivalents online. Through performative practice, my study highlights commonalities between the role of photographs, monuments and public places as methods of representing historical understandings and their democratic potential: the ‘everyday’ of the Square and photography. The study investigates the role of photography in the construction of place – deconstructing how tourists pose and gaze into the camera to return to the singularity of the individual experience. The enquiry continues to look at Parliament Square as a place of political protest counter to the dominant state narrative of the past and the present. It is a place where particular narratives are embodied and celebrated, often misrepresenting the complexity of the past. The four photographs are restaged in the studio. Here they become a distorting mirror of both actual and virtual places revealing an absence that arguably occurs within all photographs. This absence might allow the viewer to relate to the subject depicted, find common ground, as well as develop a critical self-awareness and openness to the views of others.University College London (University of London)https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756342http://discovery.ucl.ac.uk/10056329/Electronic Thesis or Dissertation |
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This practice-related study of a politically charged public place, Parliament Square, London is led by an examination of social media photographs that have been taken there and posted online. The photographs have been removed from the fast flow of social media, transposed to analogue film, slowed and analyzed. During this physical process four social activities emerge: tourism, protest, state occasion and the everyday. An investigation into each of these areas is instigated by a close examination of one related photograph. This investigation occurs theoretically and in the realm of performative sculptural, photographic and film practice. As well as being a study of the actual place, the Square offers a public location from which to reflexively examine its virtual equivalents online. Through performative practice, my study highlights commonalities between the role of photographs, monuments and public places as methods of representing historical understandings and their democratic potential: the ‘everyday’ of the Square and photography. The study investigates the role of photography in the construction of place – deconstructing how tourists pose and gaze into the camera to return to the singularity of the individual experience. The enquiry continues to look at Parliament Square as a place of political protest counter to the dominant state narrative of the past and the present. It is a place where particular narratives are embodied and celebrated, often misrepresenting the complexity of the past. The four photographs are restaged in the studio. Here they become a distorting mirror of both actual and virtual places revealing an absence that arguably occurs within all photographs. This absence might allow the viewer to relate to the subject depicted, find common ground, as well as develop a critical self-awareness and openness to the views of others. |
author |
Brocklehurst, Judith |
spellingShingle |
Brocklehurst, Judith Restaging place : performativity and the camera : Parliament Square recast through social media photography |
author_facet |
Brocklehurst, Judith |
author_sort |
Brocklehurst, Judith |
title |
Restaging place : performativity and the camera : Parliament Square recast through social media photography |
title_short |
Restaging place : performativity and the camera : Parliament Square recast through social media photography |
title_full |
Restaging place : performativity and the camera : Parliament Square recast through social media photography |
title_fullStr |
Restaging place : performativity and the camera : Parliament Square recast through social media photography |
title_full_unstemmed |
Restaging place : performativity and the camera : Parliament Square recast through social media photography |
title_sort |
restaging place : performativity and the camera : parliament square recast through social media photography |
publisher |
University College London (University of London) |
publishDate |
2018 |
url |
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756342 |
work_keys_str_mv |
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