Provisional realities : live art, 1951-2015
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and reception that emerged as an aesthetic form of new significance post-1945. In an attempt to complicate the existing terrain of interpretation, I present the history of live art as a mode of representati...
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University College London (University of London)
2016
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756007 |