| Summary: | This portfolio of work explores alternative methods of musical composition that question the distinction between composer and performer, presenting an integrated and interdisciplinary artistic approach that aims to engage a broader public in the production of experimental music. The seventeen pieces in the portfolio are playful outcomes of a practice that, whilst rooted in musical concerns, does not privilege the sounding result. In the accompanying commentary the heritage of experimental music and Fluxus is used as a starting point to reconsider the traditionally separate roles of composer and performer. I assert that these roles currently remain distinct and separate in contemporary practice, despite the challenge that experimental music and Fluxus posed to conventional music-making. In order to address this I reconfigure the relationships between composer, performer and listener through an interpretation of a diagram by experimental composer George Brecht, and develop a framework in which the act of composition can be performed through ‘reading’, ‘character’ and ‘playing’.
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