Playing with reality : a technocultural ethnography of pervasive gaming

Pervasive games are an experimental game design practice that engages with technology development and everyday space. These experiences range from technology experiments to avant-garde performances to explorative urban play. This PhD is an ethnographic exploration of two questions. First, how does t...

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Main Author: Dixon, Dan
Published: University of the West of England, Bristol 2018
Online Access:https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742284
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spelling ndltd-bl.uk-oai-ethos.bl.uk-7422842019-01-08T03:22:32ZPlaying with reality : a technocultural ethnography of pervasive gamingDixon, Dan2018Pervasive games are an experimental game design practice that engages with technology development and everyday space. These experiences range from technology experiments to avant-garde performances to explorative urban play. This PhD is an ethnographic exploration of two questions. First, how does the technocultural situation shape the history and future of pervasive games? Secondly, how does this technocultural situation shape and affect the enactment (the design, play and performance) and the core experience? This thesis is comprised of ethnographic research carried out at pervasive gaming festivals, analysis of games and interviews with designers, artists and technologists working in the field. It reflects a historical situation in an emerging and dynamic field of practice. The work develops a set of methods that uses the concepts of liminality, materiality and practice to inform an assemblage of data gathering and analysis techniques that are specifically intended to engage with new technocultural forms. This is intended to deliver an understanding of these forms in a wider cultural relationships as well as give insight into how they are experienced. It uncovers a framework of tensions that explain the underlying nature of the play experience and design of pervasive games. This research uncovers overlooked aspects of the practice of pervasive gaming. Firstly the ways in which the social and cultural background of the players and designers moulds the form, content and meta-narrative of these games. Secondly that the overlooked, and often unexpected or invisible, materiality of these games shapes the ways in which they have developed. The often unconsidered physical materials of the games take on rich and vital meanings through design and play. The relationship between designer and the mesh of object agencies have led the practice in unexpected directions and charted a trajectory away from technology experiment and into experience design exploration. It is in this wider context of the design of experiences that the practice will have the longest-term impact.University of the West of England, Bristolhttps://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742284http://eprints.uwe.ac.uk/29664/Electronic Thesis or Dissertation
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description Pervasive games are an experimental game design practice that engages with technology development and everyday space. These experiences range from technology experiments to avant-garde performances to explorative urban play. This PhD is an ethnographic exploration of two questions. First, how does the technocultural situation shape the history and future of pervasive games? Secondly, how does this technocultural situation shape and affect the enactment (the design, play and performance) and the core experience? This thesis is comprised of ethnographic research carried out at pervasive gaming festivals, analysis of games and interviews with designers, artists and technologists working in the field. It reflects a historical situation in an emerging and dynamic field of practice. The work develops a set of methods that uses the concepts of liminality, materiality and practice to inform an assemblage of data gathering and analysis techniques that are specifically intended to engage with new technocultural forms. This is intended to deliver an understanding of these forms in a wider cultural relationships as well as give insight into how they are experienced. It uncovers a framework of tensions that explain the underlying nature of the play experience and design of pervasive games. This research uncovers overlooked aspects of the practice of pervasive gaming. Firstly the ways in which the social and cultural background of the players and designers moulds the form, content and meta-narrative of these games. Secondly that the overlooked, and often unexpected or invisible, materiality of these games shapes the ways in which they have developed. The often unconsidered physical materials of the games take on rich and vital meanings through design and play. The relationship between designer and the mesh of object agencies have led the practice in unexpected directions and charted a trajectory away from technology experiment and into experience design exploration. It is in this wider context of the design of experiences that the practice will have the longest-term impact.
author Dixon, Dan
spellingShingle Dixon, Dan
Playing with reality : a technocultural ethnography of pervasive gaming
author_facet Dixon, Dan
author_sort Dixon, Dan
title Playing with reality : a technocultural ethnography of pervasive gaming
title_short Playing with reality : a technocultural ethnography of pervasive gaming
title_full Playing with reality : a technocultural ethnography of pervasive gaming
title_fullStr Playing with reality : a technocultural ethnography of pervasive gaming
title_full_unstemmed Playing with reality : a technocultural ethnography of pervasive gaming
title_sort playing with reality : a technocultural ethnography of pervasive gaming
publisher University of the West of England, Bristol
publishDate 2018
url https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742284
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