The crisis-image : rites of passage in American independent cinema (Coppola, Jarmusch and Van Sant, 1994-2004)
My aim in this thesis is to examine a corpus of six films as loose representations or investigations of various rites of passage: adolescence, death and life-choice. In order to do this, I will draw upon a synthesis of theoretical texts: primarily the film-philosophy of Gilles Deleuze (1925-1995) (i...
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University of Edinburgh
2011
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| Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.735464 |