Depoliticisation and repoliticisation in post-colonial Indonesian film adaptations

Depoliticisation and repoliticisation in post-colonial Indonesian film adaptations

This study investigates the depoliticisation and repoliticisation in post-colonial Indonesian film adaptations, primarily focusing on Blood and Crown of the Dancer (1983) and The Dancer (2011), the two adaptations of Ahmad Tohari’s novel The Dancer (1982). The investigation is motivated by a series...

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Bibliographic Details
Main Author:	Setiawan, Dwi
Published:	De Montfort University 2017
Online Access:	http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.732348

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