Sonic arts portfolio and commentary

This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process...

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Main Author: Parkes, Bethan Rachel
Published: University of Glasgow 2015
Subjects:
781
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700311
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spelling ndltd-bl.uk-oai-ethos.bl.uk-7003112018-06-06T15:13:02ZSonic arts portfolio and commentaryParkes, Bethan Rachel2015This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process and connects approaches to spatiality in sonic arts practices with contextual considerations drawn from, for example, phenomenological accounts of spatial and sonic experience, human geography, architecture and acoustic ecology. The portfolio consists of seven sonic artworks and two collaborative projects that each engage with these ideas from a different perspective, exploring a number of applications, contexts and outcomes in the investigation. This accompanying commentary discusses these works, providing an introduction to the portfolio followed by a discussion, in the subsequent chapters, of the practices explored and developed in the research process.781M MusicUniversity of Glasgowhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700311http://theses.gla.ac.uk/7798/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 781
M Music
spellingShingle 781
M Music
Parkes, Bethan Rachel
Sonic arts portfolio and commentary
description This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process and connects approaches to spatiality in sonic arts practices with contextual considerations drawn from, for example, phenomenological accounts of spatial and sonic experience, human geography, architecture and acoustic ecology. The portfolio consists of seven sonic artworks and two collaborative projects that each engage with these ideas from a different perspective, exploring a number of applications, contexts and outcomes in the investigation. This accompanying commentary discusses these works, providing an introduction to the portfolio followed by a discussion, in the subsequent chapters, of the practices explored and developed in the research process.
author Parkes, Bethan Rachel
author_facet Parkes, Bethan Rachel
author_sort Parkes, Bethan Rachel
title Sonic arts portfolio and commentary
title_short Sonic arts portfolio and commentary
title_full Sonic arts portfolio and commentary
title_fullStr Sonic arts portfolio and commentary
title_full_unstemmed Sonic arts portfolio and commentary
title_sort sonic arts portfolio and commentary
publisher University of Glasgow
publishDate 2015
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700311
work_keys_str_mv AT parkesbethanrachel sonicartsportfolioandcommentary
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