Sonic arts portfolio and commentary
This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process...
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ndltd-bl.uk-oai-ethos.bl.uk-7003112018-06-06T15:13:02ZSonic arts portfolio and commentaryParkes, Bethan Rachel2015This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process and connects approaches to spatiality in sonic arts practices with contextual considerations drawn from, for example, phenomenological accounts of spatial and sonic experience, human geography, architecture and acoustic ecology. The portfolio consists of seven sonic artworks and two collaborative projects that each engage with these ideas from a different perspective, exploring a number of applications, contexts and outcomes in the investigation. This accompanying commentary discusses these works, providing an introduction to the portfolio followed by a discussion, in the subsequent chapters, of the practices explored and developed in the research process.781M MusicUniversity of Glasgowhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700311http://theses.gla.ac.uk/7798/Electronic Thesis or Dissertation |
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781 M Music Parkes, Bethan Rachel Sonic arts portfolio and commentary |
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This research investigates the process of “opening out” spaces with sound as an approach to sonic arts practice, investigating the spaces that sounds articulate, reveal and imply in our encounter with them. It positions spatial aesthetics as a key consideration at each stage of the creative process and connects approaches to spatiality in sonic arts practices with contextual considerations drawn from, for example, phenomenological accounts of spatial and sonic experience, human geography, architecture and acoustic ecology. The portfolio consists of seven sonic artworks and two collaborative projects that each engage with these ideas from a different perspective, exploring a number of applications, contexts and outcomes in the investigation. This accompanying commentary discusses these works, providing an introduction to the portfolio followed by a discussion, in the subsequent chapters, of the practices explored and developed in the research process. |
author |
Parkes, Bethan Rachel |
author_facet |
Parkes, Bethan Rachel |
author_sort |
Parkes, Bethan Rachel |
title |
Sonic arts portfolio and commentary |
title_short |
Sonic arts portfolio and commentary |
title_full |
Sonic arts portfolio and commentary |
title_fullStr |
Sonic arts portfolio and commentary |
title_full_unstemmed |
Sonic arts portfolio and commentary |
title_sort |
sonic arts portfolio and commentary |
publisher |
University of Glasgow |
publishDate |
2015 |
url |
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.700311 |
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AT parkesbethanrachel sonicartsportfolioandcommentary |
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