Multiples of the same : a semiotic study of Steve Reich's Counterpoint series
Steve Reich’s only long-term set of compositions – the so-called Counterpoint series, which currently includes Vermont Counterpoint (1982), New York Counterpoint (1985), Electric Counterpoint (1987), and Cello Counterpoint (2003) – traces an arc through the final two decades of the twentieth century...
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Bangor University
2015
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Online Access: | https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.690688 |